This book from Katherine’s Bookshelf is, exactly as the title suggests, an encyclopedia of interior design… from 1947. Hmm. So, what were fashionable home interiors like in 1947? Let’s see:
Having flashbacks to grandma’s house yet? In 1947, Colonial is in. Nothing says 18th Century Colonial like a giant plaid sofa. Also: ashtrays, ashtrays everywhere. There’s an ashtray on every single table and end table in this picture. I like the rug though. I can definitely appreciate a nice hooked rug. It’s huge. All you need to make a hooked rug is a small crochet hook, some burlap, yarn, and time – lots and lots of time.
Basically, the entire book is exactly like this, which points up the problems with many interior decorating and home improvement books. If it’s incredibly fashionable, it’ll go out of fashion eventually. On-trend rapidly mutates into dated, exactly because it’s so evocative of the time period in which it was popular. Warm gray wall paint and white tile are headed that way very soon.
Another interesting aspect is that it’s fundamentally aspirational. Nobody buys a book on home improvement if their home is already improved. You don’t need advice for painting if you’ve already painted. Everything in this book is about how things should be, but aren’t yet. In the same sense that the styles shown within might be evocative of grandma’s house, few people in 1947 actually had houses that already looked like this. Like us, they made do with hand-me-down furniture and their walls were already painted. Not everyone was moving into new houses in Levittown. Some people had apartments, and some people had 1920s Cape Cod houses, or Victorian era townhomes, or shotgun houses. It’s important to read books like The American Woman’s Encyclopedia of Home Decorating to remind ourselves that the actual Mid-Century as it was actually lived in wasn’t entirely Mid-Century Modern. For every hilarious Uranium Red Fiestaware plate, there’s a whole lot of very bland porcelain teacups. Cultural memory is highly selective, filtering through only the most novel and iconic designs. The past as we remember it is not the past as it was lived.
Today is the officially recognized 573rd anniversary of the publication of the Hunminjeongeum (translated into English as The Correct Proper Sounds for the Instruction of the People) by one of Korea’s greatest Joseon kings, Sejong. He is, in fact, often given the honorific of “the Great” (as in “Sejong the Great“). His book gave us the modern Korean alphabet, known as Hangul (sometimes spelled Hangeul).
Prior to the invention of Hangul, Koreans used the complex system of Classical Chinese characters, along with Hanja (certain Chinese characters that were assimilated into the Korean language). It was very complicated and only a small elite at any one time would master it. With the invention of Hangul, literacy was able to spread rapidly throughout the lower classes.
It’s usage eventually paved the way for both of the Koreas to be two of the most literate countries in the world. Literacy rates in North Korea are difficult to establish independently but the CIA World Factbook listed it as 100% as of 2015. That same year, South Korea’s rate was estimated to be approximately 99%.
The Hunminjeongeum has been listed as one of South Korea’s National Treasures since 1962 and on UNESCO‘s Memory of the World register since 1997. There is even a National Hangul Museum located in Seoul. So important to the Korean culture, Hangul Day is not only the recognized anniversary but is also a national holiday in South Korea!
The holiday is celebrated on January 15th in North Korea, where it is known as Chosongul Day. This is in order to commemorate an earlier announcement of the creation of Hangul (prior to its publication). The differences in the name of the holiday derive from what names the two countries use for Korea (“Hanguk” in the South and “Choson” in the North). In both cases, the name translates into English as “Korean script.”
Another interesting fact about Korea related to literacy is that the first known movable metal type occurred during the Koryo (or Goreyo) dynasty. The Sangjeong Gogeum Yemun (translated into English as The Prescribed Ritual Text of the Past and Present) was completed in 1250 C.E. Credit for this innovation is traditionally given to Choe Yun-ui (a civil minister for King Gojong), who invented the process in 1234 C.E.
I just so happen to own a dusty, crusty, musty old copy of The Shuttle. Here it is. I have read it, and I assure you that it is incredibly boring soppy domestic melodrama, cover to cover. It does not read well to post-modern sensibilities, aesthetic or moral. Will the Gilded Age American heiress marry into English nobility?? Spoiler alert: of course she does. I keep it as a curiosity, a piece of historical flotsam because I personally post-date atomic weapons by forty years (exactly: 1945 – 1985). I just can’t get emotionally invested in this.
Ever wanted a time machine, but for what people thought and felt in the past? To be able to imagine what it was like to live in the head-space of English-language readers before the Great War? Through the magic of digital archives, record keeping, and a healthy dash of imagination, you can try, but ultimately, you can’t. From our perspective, we know that the Great War will be just the first of two World Wars.
I found, on Project Gutenberg, a list of the top ten best-selling books of every year, from 1895 – 1923. With links to those that they have in digital form for free download. Nice. Intriguingly, these seem to be derived ultimately from the Publisher’s Weekly lists. How, exactly, Publisher’s Weekly compiles these lists is a trade secret, so I wouldn’t completely trust it. However, it’s still very, very interesting. The New York Times would begin keeping their own best sellers list in 1931, in case you were wondering.
Please, feel free to go to Project Gutenberg’s Bookshelf of American Bestsellers, and have an extensive look. If you want to read them in paper form, you might have to luck out and discover one at a book sale, and check our collections, although most of them will be very hard to find. How, exactly, best selling books end up falling so far into obscurity is another question, so here are my own observations of the list. I’ll cover the earliest ones, from 1895 up until WWI, in 1914.
I haven’t even heard of most of these books.
It’s true. Most of them are completely unfamiliar to me. Even if it’s a smash hit in its own time, a book can clearly just drop off the popularity cliff and into the void in the course of a few generations. That’s a sobering thought. Maybe it’ll happen to Game of Thronesor Harry Potteror anything by James Patterson or Steven King too, just like it did to 1900’s Red Pottageby Mary Cholmondeley. I know it sounds impossible, but clearly it can happen.
The ones I have heard of.
Special Case: The Shuttle
Oh, hey, it’s The Shuttle. I only know it exists because I found a copy super cheap once. I didn’t realize it was that popular in its time. I think I’ll write a Reader’s Corner post about it. And now you’re reading it. Awesome.
Aside from this one, there’s three rough categories the other books I know fall into: famous author, famous book, and movie books.
People clearly just ate up whatever Winston Churchill wrote. Not too familiar with the books, but I do know about Winston Churchill. Other authors I’ve heard of, although I’m not familiar with these particular titles on Project Gutenburg: J. M. Barrie, Rudyard Kipling, and that’s pretty much it.
The Book Itself is Famous – A Timeless Work of Literature?
Alright, now for the actually famous works in here, and what they’re famous for. If I can recognize a book by title, not author, and I can give you a rundown of what it’s about even if I haven’t read it, it’s on the list. These are the elite few that are still in print, over a century later:
The Jungleby Upton Sinclair. Mostly famous today for the meat-packing plant scene. Everybody likes sausage leaf lard, but nobody wants to see how sausage leaf lard is made. Arguably contributed to the formation of the FDA. Lovely. If you’ve read it at all, it was probably for history class.
Pollyannaby Eleanor H. Porter. I know about this one, but haven’t read it. Named after its endlessly-optimistic heroine… which isn’t necessarily seen as a heroic quality these days, which tells you a lot about why the rest of these books are so obscure. Calling someone a Pollyanna is not a compliment.
Cultural drift over time has made the majority of the books on the list very boring and/or difficult reads.
Continuing on the theme of cultural drift, there’s the third, weirder category. This time period coincides with the rise of cinema, so there are a handful of books that are definitely still sort-of-well-known to very-well-known, but they’re famous for the movie that’s based on them, no longer necessarily in their own right. Ultimately, the movies are more famous than the book.
First, there’s The Prisoner of Zenda, which is also the most obscure, being a clutch of movies that were themselves adaptations of the book, play, and then other movies, for decades. IMDB suggests that the most recent adaptations were a very straight 1984 TV miniseries, and a sports-comedy adaptation in 1993. Weird.
Second, The Clansman, is arguably the most famous of these movie-books, because the film it was made into – The Birth of a Nation – is standard watching in film classes, for the fact that this movie represents the invention of modern film editing. As for the story, it’s awful, gut-churningly racist propaganda about the KKK being heroes. In case anyone wanted to plead “but morals were different back then” – no, I’m going to nip that in the bud right here. The director, D. W. Griffith, immediately made another film – Intolerance– to try to absolve himself of contemporary accusations of racism, so, for the record, it was definitely seen as racist at the time. His efforts didn’t work, in large part because The Birth of a Nation was, by far, the most popular, and overshadowed everything that he did after, and also because as a rebuttal after all that, Intolerance was incredibly weak, and also a flop so catastrophic that it ruined him. So, ultimately, the answer is that racism was incredibly popular in 1911.
Third, The Virginian. This is a very quirky book, and arguably the first true literary Western. Before, there were plenty of Westerns, but they were relegated to dime-novel adventure stories and cheap entertainment. This book was adapted to a play, several movies, and in very broad-strokes terms, a well-known 1962 television show.
Whether for pop-cultural or historical reasons, nearly as many books survive as movies as they do as books. Maybe this will be the fate of books like Jurassic Park by Michael Crichton, where the book was certainly popular, but the movie franchise even more so. Only time will tell.
The Path to Timelessness?
So, in the end, only very few of these best-selling monster smash hits actually managed to pass a full century in the public imagination. I’m also fairly sure it must have been difficult to predict which of these works would make it. Let’s not forget that nearly half of them are known purely because they had the good fortune to be made into movies. And remade. Lots. If you ever hear people complain about how today’s movie theaters are stuffed with bland safe remakes, remember this: a quick search for the title “The Prisoner of Zenda” on IMDB turns up no less than eight movies or TV series with that exact title. This isn’t a new problem, really.
Ultimately, if you want your book to become a true classic, you need luck, specifically the luck to treat a major concern of your own time, which also will go on to be a major concern of the future, or at least be relevant to future history classes. How was Frances Hodgson Burnett to know in 1907 that the phenomenon of American heiresses marrying English nobility would represent an entire world killed stone dead by two whole world wars bookending a global financial collapse? She couldn’t have known. Nobody really could in her day. Even the list-dominating book is a pinball in the arcade of history. Only few people can claim a spot on the eternal literature high-score list. But, if you want to give luck an extra boost, though, definitely sell the movie rights if you can.
Friends of the Louisville Free Public Library maintains ongoing book sales on carts at every branch library. They also schedule weekend book sales throughout the year at certain branch libraries. Below is a list of the currently scheduled book sales.
Bargains galore at the branch book sales!
In addition to weekend book sales, all branches offer in-house sales on library book carts during regular hours.
Portland Branch Library Saturday, June 1, times TBD
Main Library Saturday, June 15, 10:00 am – 4:00 pm Sunday, June 16, 1:00 pm – 4:00 pm
Western Branch Library Saturday, June 22, 10:00 am – 2:00 pm, + annual BLOCK PARTY!
Saturday, September 21, 10:00 am – 2:00 pm _____________________________
Southwest Branch Library Sunday, July 14, 12:00 pm – 5:00 pm at Riverside, the Farnsley-Moremen Landing 7410 Moorman Road, 40272 _____________________________
Jeffersontown Branch Library September 1 – 30
Month long sales in the front lobby
Shively Branch Library Saturday, November 9, 10:00 am – 2:00 pm
Friends of the Louisville Free Public Library is a volunteer, non-profit, 501(c)(3) organization of local citizens whose primary interest is promoting the welfare and growth of LFPL.
If you would like more information, please clickhere.
It’s time for Big Ideas! Welcome to a mini-series-within-a-series on history and how it is made.
One way to think about history is as a story, a series of events that happened, and when. Get comfy, and settle in, because this post will explore the events of the Wars of the Roses, from the lead up through the aftermath – one of the most headache-inducingly complicated historical narratives I could think of. In the end, after the dust settles, and the Tudors take over, I’ll discuss the value of treating history this way, and what we can really learn from it.
Story Time (Skip to the Relationship Map if you Feel Your Eyes Glaze Over)
A long time ago in England (about 600 years ago), King Edward III had three sons (who survived to adulthood and are important to this story). His first son, Edward the Black Prince, had a son, who became King, Richard II. His second son, Lionel of Antwerp, went on to have kids, and that branch would be the House of York (White Rose). Edward III’s third son, John of Gaunt, had a son, who would depose Richard II, and become King Henry IV. Descendants of John of Gaunt are the House of Lancaster (Red Rose). John of Gaunt also had another son, by a mistress, and his name was John Beaufort, and he was legitimized later, so he could inherit and hold titles. So, for those keeping score at home, the new King, Henry IV, and John Beaufort are half brothers through their father.
Henry IV has a son who becomes king, Henry V, who marries Catherine of Valois. They have a son, who becomes king too: Henry VI. After Henry V dies, Catherine of Valois goes on to marry a second time, this time a wealthy Welsh landlord, Owen Tudor. This marriage produces another son, Edmund Tudor. Remember the half-brother of King Henry IV, John Beaufort? He had a daughter, Margaret Beaufort, and she marries Edmund Tudor.
Meanwhile, the latest King, Henry VI, marries Margaret of Anjou. He has increasing trouble keeping up with all his kingly duties, though, so she’s actually the one in charge of things, and he has two advisers, also. One of these advisers is the wealthy and influential descendant of Edward III’s second son Lionel of Antwerp, Richard of York. The other is another wealthy power-broker, Richard Neville, AKA Warwick the Kingmaker. Richard Neville married his daughter Anne Neville to Henry VI’s son and heir, Edward of Westminster. You hanging in there? Breathe into a paper bag if it gets too complicated and you need a break.
So, Richard of York and Margaret of Anjou basically hate each other, because he figures that the House of York descends from the second son of Edward III, and not the third, like the House of Lancaster, so by rights, he should be King instead. He gets Richard Neville’s support and fights with Margaret of Anjou and the House of Lancaster to get Henry VI deposed. In one of these battles, Edward of Westminster, the King’s heir, is killed. THEN Richard Neville has his daughter, the newly widowed Anne Neville, marry Richard of York’s youngest surviving son, also confusingly named Richard. He also marries off his oldest daughter, Isabel Neville, to Richard of York’s third surviving son, George. Then, Richard of York dies in battle, too. His oldest surviving son eventually wins the fight, and deposes and replaces (and, let’s face it, probably has murdered) poor Henry VI, who has been held hostage, rescued, and then re-captured, and ends his life in the Tower of London. Richard Neville switches sides, and mounts a rebellion with George against Edward IV. Richard Neville is killed in battle, Edward IV puts down the rebellion, and has his brother George drowned in a butt of wine for his backstabbing ways. Somehow, the new King Edward IV actually dies of natural causes, and has a son, the new King Edward V.
BUT WAIT, there’s more! It turns out that Richard of York’s youngest son Richard thinks that HE should be king, and has Edward IV’s marriage declared illegal, so that King Edward V is now illegitimate, and has him thrown in the Tower of London with his younger brother (they’re both just kids at this point). He’s declared King Richard III, and then the two “Princes in the Tower” just… disappear. (Again, probably murdered on the order of Richard III.) So… remember Edmund Tudor, from waaaaay back there? He had a son, who figures that he’s as close as anybody to being King, and comes back from France and defeats Richard III, who dies in battle, and, in the distant future, is discovered buried under a parking lot (confirmed by DNA testing in 2013). The End.
That was complicated and horrible, so here’s a relationship map, to help you figure out what happened:
Fun fact: my history knowledge strong points are really East Asian and African history, not European, so I didn’t really know most of this until I researched this article. In fact, I picked this particular topic purely because I didn’t know much about it. We’re learning together! Yay! It really doesn’t help things that nearly every dude is named either Edward or Richard. At least the various Henrys are numbered. So that’s the story of the Wars of the Roses. But, in the end, after all that, what has changed? England has a different king. The family in charge is now these guys, not those guys. The Tudors would continue the foreign policy aims of trying to get back France, so that didn’t change. The social structure is the same. The economic structure is still the same too. It’s a story dramatic enough for a whole batch of Shakespeare plays, but is the series of events actually important enough to how the world turned out to remember in detail?
On one hand, you can argue that without the Wars of the Roses, there isn’t a Henry VIII to have a succession crisis and kickstart the Catholic vs Protestant divide that would dominate the politics of later England (and then the United Kingdom, and everything including the potato famine in Ireland, and even a really scary undertow of Brexit negotiations much later).
For want of a nail a horseshoe was lost
For want of a shoe, a horse was lost
For want of a horse, a rider was lost
For want of a rider, a battle was lost
For want of a battle, a kingdom was lost
And all for the want of a horseshoe nail
On the other hand, the horseshoe nail approach ads nothing to our understanding. Sure, it’s easy to say that future events come from events in the past, but that’s the very definition of what “past” even is: it’s the events that led here, so of course that’s what they do. There’s a lot of value in looking deeper, and asking more questions. If it wasn’t Henry VIII, would it have been someone else anyway, due to rules of succession and legitimacy being what they were? Could someone in a position of power have simply done the same thing, with their own pivotal decisions? Or, if you prefer, would the real reason be the way that English culture passed property on to children, and the critical role of religion in supporting this system? These questions are the core of historiography – the discipline of how history is written.
In a very literal sense, history is the practice of finding meaning in events of the past. History is writing about events of the past, but FOR the sake of the present and ultimately the future. Otherwise, why remember it? For everything you know about history, consider all that has been forgotten, or left unknown. History is what we choose to remember, and how we choose to remember it. As for historiography, narrative alone isn’t bad, and can be compelling. Remember, the narrative of the Wars of the Roses itself – with lots of spin, of course – was good enough for Shakespeare. Next time, we’ll dive into the dueling perspectives of historiography, and the question of whether it is pivotal decisions or socioeconomic forces that drive this narrative.
Really, how hard is it to knock out a book? It’s just a few hundred pages sitting there on your desk. But, hey, you’re a busy cat and you’ve got things to do!
Words on a page ought not to be daunting but sometimes it’s impossible to escape the guilt. That story keeps haunting you, a ghost lingering in the back of your mind. If it’s good, it’s a welcome tug that will finally pull you back into graceful orbit over a magical world. And if the tale is terrible, well, then it’s like being back in high school with that burnt out teacher. You know the one, he or she took joy in watching you squirm when they asked a master’s thesis level question you had no chance of answering.
You know what sometimes can be worse? Having to write a review about a book, particularly one that may be underwhelming. This is especially true if you have settled into reading a particular sub-genre that you are a little bored with from jump. I mean, urban fantasy is a good ten years past it’s heyday in my mind. So it’s really on me because I wanted comfort. I selected the book using a loose familiarity with the author and a summary on the back of the paperback which teased a slightly new twist to well-worn genre tropes.
“Verity Price is a tough young woman with a secret life protecting ‘cryptids’ (magical) beings from harm who has to take on the hot young zealot out to get them, only to end up teaming up with him to rescue a dragon from an evil cult. Sexy times and ballroom dancing ensue.”
Barring snappy banter here and there, that’s really it. Plus sequels.
Don’t get me wrong, McGuire is normally a great read (I like her other series, featuring the character October Daye) and moments really do shine in the book. There surely are people who must love the series because she keeps writing sequels. So far, seven novels have been published and another one is scheduled for release in early 2019.
I don’t want to discourage anyone from reading it because, hey, maybe it’s just not for me. But what I’d like to focus on for the rest of this article (and other upcoming ones) is what to do when you find yourself in a corner such as I ended up. Where does that next book come from?
Usually you ask someone, right? If it’s someone who knows you and they have the right frame of mind, they can match something to you in no time. At the very least you will find out what they are reading. That gives you something to talk about the next time you see them if nothing else.
Maybe you are reading a magazine that gives reviews. Maybe you are watching TV and they interview an author about their latest work. Or maybe you go into store with books and just browse until something strikes your fancy.
These are the things that most people do but — commonly — there is one thing they do not do or do very rarely. What is that one thing? Ask your local librarian for a suggestion.
If you are unable to make it to a library branch, you can always use our online Ask a Librarian form. Short answers will be sent within 24 hours. Longer answers will be returned as soon as possible.
Or during the months of December 2018, January 2019, and February 2019, you can sign up for suggestions from a librarian as part of our Books & Brews 502. All you need to do is attend one of the scheduled events.
For more info on LFPL’s Adult Winter Reading Program, click here.
The earliest written work in any kind of the English language isBeowulf, which has a horrible, treasure-hoarding dragon in it. Because he was a philologist (expert and critic of written languages and language histories), and arguably the foremost scholar on Beowulf, J. R. R. Tolkien knew all about the dragon, and wrote a bunch of stories for his kids, which eventually mutated into a novel, The Hobbit. Beowulf‘s dragon is a creature of mindless animalistic greed and savagery, but Smaug, the dragon and central antagonist of The Hobbit, can talk. Imagine him voiced by Benedict Cumberbatch. But if Bilbo Baggins can understand Smaug, and there isn’t any magic involved here, they share a common language, Fire-Drake and Hobbit. One of the reasons for J. R. R. Tolkien’s works’ staying power is that the world created for them is fully realized enough to bear up under questions like this. So, what language do Bilbo and Smaug share?
In J. R. R. Tolkien’s Middle Earth books, including The Hobbit, and all of the books in The Lord of the Rings, English is used as a stand-in for Westron, a hypothetical fictional language commonly spoken on Middle Earth. As a philologist, though, Tolkien created several full-fledged languages, and even language families and language histories (!!), to inhabit his fantasy universe. Elvish languages, such as Sindarin, are a language family, and have their own fictional history. In a very real way, The Lord of the Ringsisn’t a fictional work with made-up languages in it, but rather Middle Earth’s fictional languages happen to be wrapped up in a pretty neat story.
The main plot-line of the 2011 video game Elder Scrolls V: Skyrim revolves around dragons. Taking a step further still from Smaug’s command of Westron, not only do these dragons talk, but their language has the power to change reality. In this game, words spoken by someone who truly understands them become focused into a Thuum, or Shout, with different effects depending on the meaning of the words, from breathing fire, to knocking enemies backwards, to turning invisible, or revealing the presence of the undead. The acquisition of words in this language is pivotal to the gameplay in Skyrim. The developers of the game created Dovahzul as a complete artistic language to serve this purpose, and all of the dragons in the game speak the language as well. Over time, the language was expanded and fleshed out by the fanbase, and now Dovahzul is a full-fledged artistic language.
Book Sale, Shawnee Branch Library
Sunday, September 9 & October 14, 1:00 pm – 4:00 pm
2nd Sunday of every month
Drop by to check out some fantastic bargains in our wide selection of gently used books. Cash, credit or debit cards accepted. All proceeds benefit the Shawnee Friends of the Library. _________________
Book Sale, Main Library
Saturday, September 15, 10:00 am – 4:00 pm
Sunday, September 16, 1:00 am – 4:00 pm _________________
Heine Brothers is partnering with the Friends to collect gently used Children’s books. Drop off your books at any Heine Brothers’ cafe! Put them in the designated box or give them to the barista. Donated books will go to branch libraries, Little Free Libraries, new Habitat homes and other Friends’ projects.
Sometimes, if you’re discussing books that you read, games that you play, shows that you watch, music you listen to – basically any media you consume – you need some specialized ideas and terms to help you describe and discuss it. “It was great” or “It was bad” or “I thought it was OK” are all very well and good, but it’s so much more satisfying if you can also talk about WHY you liked/disliked something. If you want to win arguments and impress your friends, remember your ABCs – Always Backup Criticism.
Have examples, of course, of things you like or don’t and why. But, sometimes, you need some special vocabulary and ideas in order to help you with your critique. That means it’s time to add another idea to your toolbox: high vs. low concept. This is all about how much concept a work of art contains, not how good the concept is. Think of it as a matter of the amount the concept itself contributes to the total content of the work.
Jane Austen’s novels are generally low concept. The idea of the novels – that people in various economic circumstances need to get paired up (or not paired up, or not paired up the way they thought) – is nowhere near as important to the books as the interactions between the characters, which is why people read them. Here’s an example pie chart, based on a very precise and academic guesstimate:
There’s also works that split it pretty much right down the middle, generating interest in equal parts from the idea that drives them, as well as the execution of the plot and characters:
On the far end of the scale, there’s also works that are high concept – that get their interest mostly from the ideas that drive them. I can think of no better example than 18 Days (an adaptation of the Mahabharata), which breaks down about like this:
The library has the concept art book, if you want a look at the idea, but, sadly, they didn’t get full funding for the series as it was originally conceived. Instead, you can watch it in a few different languages on the Graphic India YouTube channel. Still pretty awesome, though.
Whatever the level of concept in your media, now you have a new way to talk about the things you love: is it high concept, low concept, or a balance of the two?
The series began with a two-hour episode on Tuesday, May 22, 2018. Over the following months, PBS will count down the books from 100 to 1. Americans are encouraged to vote for “America’s Most Beloved Book,” and results will be released on October 23, 2018.
Remember that LFPL’s Summer Reading is beginning and that many of these books are age appropriate for children and teens. They would be great selections for kids to read or to have read to them. For more information about the Summer Reading program or the 2018 Cultural Pass, stop your local library branch or call our JustAsk line at (502) 574-1611.