Tag Archives: Graphic Novels

Digital Comic Books at LFPL

Do you like digital comic books (also known as e-comics)? Or would you like to give them a try but don’t want to have to pay for a subscription?

Well, true believer, LFPL is here for you!

Click on any of the following links to view the Library’s current selections:

Biblioboard‘s offerings are primarily comics of the Golden Age (1938-1954) and biographical works of artists and writers. There are also some interesting public domain works from before the Golden Age.

 

Overdrive‘s collection is primarily composed of modern, up to the minute comics from publishers such as BOOM! Studios, DC Comics, Image Comics, and Top Shelf Productions


RBdigital offers comics from Marvel Comics and IDW Publishing.

LFPL has over 1,200 comics you can browse on your home computer, tablet, or smartphone!

Keep checking in, too, as we continue to expand it’s digital comics collection.


If you are interested in learning how to make comics/graphic novels or other aspects of illustration and graphic design, check out these free classes you can take through Lynda.com.

(242 classes are available!)


To have access to all this great content, all you need is a valid library card number and to know your library card’s password. If you are not sure what your library card number or password are (or need a replacement), please stop by one of the 18 library locations and we’ll get you set up.

High Concept and Low Concept

Sometimes, if you’re discussing books that you read, games that you play, shows that you watch, music you listen to – basically any media you consume – you need some specialized ideas and terms to help you describe and discuss it. “It was great” or “It was bad” or “I thought it was OK” are all very well and good, but it’s so much more satisfying if you can also talk about WHY you liked/disliked something. If you want to win arguments and impress your friends, remember your ABCs – Always Backup Criticism.

Have examples, of course, of things you like or don’t and why. But, sometimes, you need some special vocabulary and ideas in order to help you with your critique. That means it’s time to add another idea to your toolbox: high vs. low concept. This is all about how much concept a work of art contains, not how good the concept is. Think of it as a matter of the amount the concept itself contributes to the total content of the work.

Jane Austen’s novels are generally low concept. The idea of the novels – that people in various economic circumstances need to get paired up (or not paired up, or not paired up the way they thought) – is nowhere near as important to the books as the interactions between the characters, which is why people read them. Here’s an example pie chart, based on a very precise and academic guesstimate:

There’s also works that split it pretty much right down the middle, generating interest in equal parts from the idea that drives them, as well as the execution of the plot and characters:

On the far end of the scale, there’s also works that are high concept – that get their interest mostly from the ideas that drive them. I can think of no better example than 18 Days (an adaptation of the Mahabharata), which breaks down about like this:

The library has the concept art book, if you want a look at the idea, but, sadly, they didn’t get full funding for the series as it was originally conceived. Instead, you can watch it in a few different languages on the Graphic India YouTube channel. Still pretty awesome, though.

Whatever the level of concept in your media, now you have a new way to talk about the things you love: is it high conceptlow concept, or a balance of the two?

Is This Guy for Real? The Unbelievable Andy Kaufman by Box Brown

Andy Kaufman skirted the line between nonsense and reality in his performances where during his comedy career; he brought many unique characters to life.  Two of the most recognizable are Latka Gravas, a lovable kook on the TV series Taxi, and Foreign Man, a character he created for Saturday Night Live. Kaufman and his work  were immortalized in a film called Man on the Moon, where Jim Carrey portrayed him.. Author Box Brown has now brought Kaufman’s life to another generation in a biographical graphic novel, Is This Guy For Real? The Unbelievable Andy Kaufman.  

The novel follows his life beginning as child and his appreciation of performing arts, music and wrestling.  He enjoyed wrestling so much that he created parodies of his favorite stars bit of humor to the violent world of pro-wrestling. For a time, he put his dream of becoming a wrestler on hold while honing his showman skills with improvisational comedy and television appearances.  However, he felt this was not the direction in which he wanted to go. He finally jumped into the wrestling ring, putting on amazing acts and stirring up trouble along the way. His most notable appearance was the controversial debacle with former wrestler Jerry “The King” Lawler.

Box Brown’s simplistic pencil drawings and limited color illustrations capture the story of a young man who was sensitive, thoughtful, and very funny. He uses traditional boxed-in scenes throughout the entire book which reads like an original comic strip. The nostalgic style draws (pun intended) you into the story, while moving swiftly through Kaufman’s short life.  Brown has made this book more than a biography of Kaufman by including footnotes about the world of professional wrestling without interrupting the flow of the story.  There is also an in-depth bibliography of references, websites, television episodes, and personal interviews, as well as a list of books by people in the wrestling industry.

If you enjoy this journey into the life of a comedian turned wrestler, check out Brown’s book about another famous wrestler, Andre the Giant.  

Format Available: Graphic Novel

Review by Micah, St Matthews Branch

Riverdale

When I was a kid my parents played oldies all the time around the house (they both grew up in the 60’s) and we listened to the oldies radio station all the time in the car.  My very favorite was “Sugar, Sugar” by The Archies.  YES, the cartoon band!

I still love this song and as a children’s librarian I use it in storytime all the time to dance with toddlers and babies.  This song introduced me to  Archie Comics which I loved as a child. Yeah, those comics you bought in the grocery store checkout lane and detailed the never ending drama of Betty and Veronica’s competition for Archie.

My love for all things Archie and Betty and Veronica has never died.  So when the new CW show Riverdale started in 2017 I was ECSTATIC.  If you are looking for a blast from the past and also loved Archie as a kid I highly recommend checking out our Archie graphic novels.

You should also check out the show Riverdale, which is so much fun. Oodles of drama and mystery with all the classic characters that you know and love including Archie, Jughead, Betty, Veronica, Cheryl Blossom (my FAV!), Kevin Keller, Midge, Moose and Reggie.  And don’t forget, Josie and the Pussycats!

It’s like my childhood all brought back with a sexy edge and updated storylines.

The Chilling Adventures of Sabrina by Roberto Aguirre-Sacasa

I highly recommend The Chilling Adventures of Sabrina by Roberto Aguirre-Sacasa.

Sabrina the Teenage Witch is getting a new television reboot as well to coincide with Riverdale as Sabrina’s hometown of Greendale is right down the road from Riverdale.  Now just as a warning this isn’t your 90’s Melissa Joan Hart kind of SabrinaThe Chilling Adventures of Sabrina is dark and bloody and fantastic!  If you like dark and bloody kinds of things, that is…

[EDITOR’S NOTE: The Chilling Adventures of Sabrina will be coming to Netflix in September]

Afterlife with Archie by Roberto Aguirre-Sacasa

Afterlife with Archie by Roberto Aguirre-Sacasa is a spooky take on Riverdale as Jughead’s beloved Hot Dog becomes a zombie due to a very ill fated attempt to save his life with the help of Sabrina. Soon the entire town is in the fight of their lives against a zombie horde led by their former friend, Jughead.

Betty and Veronica by Adam Hughes

Betty and Veronica by Adam Hughes is my very favorite of all the Archie graphic novels so far.  Betty and Veronica are America’s sweethearts and best friends.  Until they turn on each other in a battle for Pop’s Chocklit Shoppe!

[EDITOR’S NOTE: Check out The Art of Betty and Veronica for a look at the first 70 years of the duo’s story]

Josie and the Pussycats by Marguerite Bennett

In this series opening Josie gets the band together in her hopes of achieving musical fame but are her ambitions more important than the girls’ friendship?

So many new Riverdale and Archie titles have been coming in and I can’t wait to read them all!

Check out all things Riverdale at LFPL!

Formats Available: Graphic Novel

Review by Heather, St. Matthews

Body Music by Julie Maroh

The Library just received this graphic by Julie Maroh a few days ago and it hasn’t circulated yet. But the cover of Body Music was delicate and pretty at first glance…

…so I picked it up just to flip through it. And I ended up reading it all straight through in one setting. It was that good.

The interior art is less delicate, using fluid yet solid black lines for the characters and softer lines for the background. The coloring ranges from grey to sepia, matching the emotional tone of the vignettes. The human figure is not always proportional or technically correct but expressive. The crudity of it in places reminds me a little of the work of (fellow Canadian artist) Jeff Lemire.

This book takes a look at love from many perspectives in its twenty-one set pieces. It’s 2018 and I shouldn’t have to say this but if you are the kind of person who has trouble with depictions of same-sex or non-traditional gendered relationships, then you need to just move along. But if your mind and heart are open, you will find the sweet melody alluded to in the title.

Maroh is also the author and artist of Blue is the Warmest Color, which I will definitely read in the near future.

Formats Available:  Graphic Novel

Review by Tony, Main Library

It’s That Time: Ten Great Graphic Novels

Yes, yes, 2017 was another exceptional year for Graphic Novels in the Library!

So many great titles were put out that it was really hard to put this list together. After a while, I decided to not worry too much and just list some of my favorite comics read in the past year. Per tradition, these picks have been listed in alphabetical (rather than rank) order.

All of these works can be checked out from LFPL. Each title has a “Check Our Catalog” link that will take you to where you can view the location and status of the specific item in our system.

After taking a look, if your selection is not available at the branch you wish to go to, you may have the item shipped there by placing a hold request (using the button on the right hand side of the entry).

Black Panther, Book 1: A Nation Under Our Feet Black Panther, Book 1: A Nation Under Our Feet
By Coates, Ta-Nehisi
Illustrator Stelfreeze, Brian
Check Our Catalog 

A new era begins for the Black Panther! MacArthur Genius and National Book Award-winning writer T-Nehisi Coates (BETWEEN THE WORLD AND ME) takes the helm, confronting T’Challa with a dramatic upheaval in Wakanda that will make leading the African nation tougher than ever before. When a superhuman terrorist group that calls itself The People sparks a violent uprising, the land famed for its …More

Chilling Adventures of Sabrina Chilling Adventures of Sabrina
By Aguirre-Sacasa, Roberto
Illustrator Hack, Robert
Check Our Catalog 

On the eve of her sixteenth birthday, the young sorceress Sabrina Spellman finds herself at a crossroads, having to choose between an unearthly destiny and her mortal boyfriend, Harvey. But a foe from her family’s past has arrived in Greendale, Madame Satan, and she has her own deadly agenda. Archie Comics’ latest horror sensation starts here For TEEN+ readers.Compiles the first six…More

ALSO: You can read a staff review of this work by clicking here.
Clean Room, Volume 1: Immaculate Conception Clean Room, Volume 1: Immaculate Conception
By Simone, Gail
Check Our Catalog 

From the minds of superstar writer Gail Simone and gifted artist Jon Davis-Hunt comes CLEAN ROOM VOL. 1: IMMACULATE CONCEPTION–a new vision of horror that takes you inside the locked chambers of sex, science, celebrity, and the supernatural.Somewhere between the realms of self-help and religion lies the Honest World Foundation. Its creator started out as an obscure writer of disposable …More

The Fun Family The Fun Family
By Frisch, Benjamin
Check Our Catalog 

Beloved cartoonist Robert Fun has earned a devoted following for his circular daily comic strip, celebrating the wholesome American family by drawing inspiration from his real home life… but the Fun Family bears some dark secrets. As their idyllic world collapses and the kids are forced to pick up the pieces, will their family circle become a broken mirror, or a portal to a nightmare world? In …More

ALSO: You can read a staff review of this work by clicking here.
Monstress, Volume 1: Awakening Monstress, Volume 1: Awakening
By Liu, Marjorie M.
Check Our Catalog 

Set in an alternate matriarchal 1900’s Asia, in a richly imagined world of art deco-inflected steam punk, MONSTRESS tells the story of a teenage girl who is struggling to survive the trauma of war, and who shares a mysterious psychic link with a monster of tremendous power, a connection that will transform them both and make them the target of both human and otherworldly powers.About the …More

Paper Girls, Volume 1 Paper Girls, Volume 1
By Chiang, Cliff K.
Check Our Catalog 

From Brian K. Vaughan, #1 New York Times bestselling writer of SAGA, and Cliff Chiang, legendary artist of WONDER WOMAN, comes the first volume of an all-new ongoing adventure.In the early hours after Halloween of 1988, four 12-year-old newspaper delivery girls uncover the most important story of all time. Suburban drama and otherworldly mysteries collide in this smash-hit series about …More

Rebels: A Well-Regulated Militia Rebels: A Well-Regulated Militia
By Wood, Brian
Illustrator Mutti, Andrea
Check Our Catalog 

This is 1775. With the War for Independence playing out across the colonies, young Seth and Mercy Abbott find their new marriage tested at every turn as the demands of the frontlines and the home front collide. Not merely rehashing the tales of the most famous men of the time, Rebels details the epic story of the colonists, explorers and traders, wives and daughters, farmers and volunteer soldiers …More

Roughneck Roughneck
By Lemire, Jeff
Check Our Catalog 

From the New York Times bestselling author and award-winning creator ofEssex CountySecret PathDescender, and The Underwater Welder comes an all-original graphic novel about a brother and sister who must come together after years apart to face the disturbing history that has cursed their family.Derek Ouelette’s glory days are behind him. His hockey …More

Valerian: The Complete Collection Valerian: The Complete Collection
By Christin, Pierre
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VALERIAN is a saga that every fan of Star Wars and Star Trek will identify with and love. Valerian and his beautiful, sharp-witten and sharp-tongued partner, Laureline, live adventures set against visually stunning backgrounds: complex architectural inventions, futuristic machines, otherworldly landscapes, and odd-looking aliens that are staples of artist Mezieres’s seemingly boundless visual …More

Vision, Volume 1: Little Worse Than a Man Vision, Volume 1: Little Worse Than a Man
By King, Tom
Illustrator Walta, Gabriel Hernandez
Check Our Catalog 

The Vision wants to be human, and what’s more human than family? So he heads back to the beginning, to the laboratory where Ultron created him and molded him into a weapon. The place where he first rebelled against his given destiny and imagined that he could be more -that he could be a man. There, he builds them. A wife, Virginia. Two teenage twins, Viv and Vin. They look like him. They have his …More

 

If you are interested in discussing these titles or other works of sequential art, please join LFPL’s Graphic Novel Discussion Group.

Meetings are held at the Main Library on the second Monday of every month, starting at 6:00 PM.

Upcoming meetings will take place on the following dates:

Formats Available:  Graphic Novel

Article by Tony, Main Library

In Defense of Comics, pt. 5: Understanding Comics as a discussion tool

The biggest problem when discussing comics in an analytical way is determining just what they are. It is easier to talk about how they work than to come up with a solid definition, other than the old “I know a comic when I see it” one.  This is particularly true if you wish the definition to cover most (if not all) expressions of comics.

Understanding Comics by Scott McCloud, a classic work of the Comics Studies discipline, defined comics as:

“Juxtaposed pictoral and other images in deliberate sequence, intended to convey information and/or to produce an aesthetic response in the viewer.”

In one of the Graphic Novel Discussion Group‘s meetings, McCloud’s definition elicited respect on one level but was hard to defend in toto when combined with some of his other assertions. For instance, his general assertion that writing (the act of inscribing thought in physical space) is distinctly non-pictorial in nature seems hard to defend considering there is a whole species of design – graphic design – that considers writing as a pictorial element (a.k.a. typography). Even within the comics industry, the position of “letterer” has been a long established one and the style of each letterer is often a strong consideration for the development of a particular work’s look.

McCloud violates his own rejection of a single panel as comic (which is asserted on pages 20-21 of Understanding Comics) on page 98 in the third and fourth panels. Granted, he hedges in the next two panels by differentiating between captions and word balloons but I think that’s because the narration is supposed to be framing the picture rather than a part of the world of the picture.  However, it is the introduction of speech and that speech takes time to happen that creates the sequential effect according to McCloud.

His distinction that in-picture indication of sound introduces sound as a narrative element — and thus changes things — doesn’t seem to add up as traditional forms of comics are a species of visual art. How such a sound is conveyed is part of the storyteller’s visual style, most clearly seen in the crafting of sound effect (think of the shape of letters used when you are to hear lightning or a punch to the jaw). Speech or audible sound is still an aspect of the story supplied by the reader’s mind, prompted by the images on the page (be they words or sound effects).

[Cartoon by Bil Keane (copyright holder King Features Syndicate), Fair Use]

So with Family Circus, it is clear that the words are actually speech that takes place in the world of the comic. Really, Bil Keane‘s quotes below the panel are just him avoiding using a word bubble. Maybe this is for sound commercial reasons (designated space on the page), for reasons of composition (to preserve the close-up shot feeling of the panel), or simply for reasons of style.

Further, McCloud misses that there is essentially an unbound panel of text next to the panel with obvious borders that has a picture. (At least) two panels = sequence, no? Here the mind moves from one kind of visual element (pictures) to another (type) and creates a connection, right? This would also apply to the sixth panel on p. 98 (if you ignore that there is no “gutter” – or gap – between the picture and the box with text).

During the discussion, I personally foundered when trying to separate the art of comics from other arts that use sequential methods/techniques. It’s not that I can’t get behind the idea that they are all just parts of “Art” or human communication – a position vigorously defended by a particular participant – but it seems like that kind of flattens out what makes comics differ(ent). Because when I talk about Watchmen, for instance, I don’t think it would be germane to bring in references to the methods of dance or sculpture or broadcast radio.

Part of it to me is that comics are the product of a particular technology, printing. And, as Marshall McLuhan wrote, “the medium is the message.” (1964) Because comics are creatures of print, our eye works a certain way, time is controlled more by how we read than by some static rate of delivery (such as television or radio), and a certain set of senses (sight and touch) are more dominant than others (smell, taste, and hearing).

I was especially flummoxed when asked about animation. My instinct is to treat animated works differently than more realistic film, to include them directly with comics. But animation is film and any distinction there is really just my own (or a general cultural) bias. They work by static broadcast, by use of light that is projected rather than ambient, and incorporate sound directly rather than by visual approximation (sound effect words, sound motion lines, etc.).

And what you would call Building Stories by Chris Ware?  Is it an architectural comic?  A comic box set?  An elaborate game with intricate pictures? A piece of conceptual art?

These distinctions seem a little silly on the surface but they do matter for no other reason than that of marketing. Being able to determine what to call something often guides the producer towards a target audience (and vice versa). If Building Stories is a work of architecture then it will be sold to schools of architecture and design. If it is just a  comic then it will be sold at places where comics are sold. If it is a game then it will be sold at gaming shops. And if it is a work of conceptual art, there might be an installation at some fine art gallery.

But back to Understanding Comics and the discussion it engendered.  One of the participants in this discussion commented that he thought that McCloud was at his best when he was discussing the nuts and bolts of comic structure (e.g., explaining things such as conveyance of time via panels and the structuring of a story via panel placement) and also when explaining the artistic level of abstraction used to carry the story (e.g., highly detailed art for personal narratives versus pictographic expression for symbolic works). He thought that McCloud failed to really differentiate comics distinctly from visual art as a whole but that his presentation feels inspiring if one doesn’t dig too deeply, echoing an argument that Dylan Horrocks leveled at McCloud in his essay, “Inventing Comics.” (2001)

Horrocks feels that McCloud is writing more of a persuasion piece, which he deems a “polemic.” [As an aside, this feels like a mild misuse of the term as “polemic” tends to refer to a vigorous disputation of an argument rather than mounting a defense for – or presenting a supporting argument for – a position.] Further, that McCloud is trying to build a justification for comics as serious art, thereby uplifting the community of comic readers from their previous status as scruffy-looking nerf herders. Doing so comes by way of a definition (highlighted in red above) that excludes many other things that comics could be said to be without discussing why those exclusions make sense.

“Nation building,” as Horrocks calls this effort, seems kind of quaint nearly a quarter of century after the book’s first edition. In the intervening time, comics, comic nerds, and comic fans of all stripes have garnered the respect that McCloud was working towards. Comics are regular parts of academic studies and art galleries, and receive high-toned collections of previous works. Comic fans come from increasingly diverse backgrounds and feel no shame in hiding their passions. Comic industry insiders find that their work no longer traps them in the lower ends of the publishing industry.

And while I tend to like the basic idea, I also have felt the need to add a little meat to McCloud’s definition in this series of essays about comics by mentioning both cultural and historical factors that also have made comics what they are today. Even so, I feel like I am still very, very far off getting to just what makes a comic a comic. However, Understanding Comics did give our discussion a great starting place, and my sense of what is a comic was altered through that discussion. For that alone, I would recommend the book for anyone who wants to explore these questions.

Plus, it’s a fun read!


If you are interested in discussing these titles or other works of sequential art, please join LFPL’s Graphic Novel Discussion Group. Meetings are held at the Main Library on the second Monday of every month, starting at 6:00 PM.

At our next meeting (October 9th), we will be talking about Monster Comics!

The Fun Family by Benjamin Frisch

So-o-o-o, um, yeah…

…let’s just say that The Fun Family by Benjamin Frisch is anything but fun. I’m warning you now. It is probably one of the most messed up comics this side of the works of Daniel Clowes or Kaz. Don’t blame me if you have nightmares, especially after viewing the final page.

This graphic novel is an investigation, albeit phantasmagorical, into the spiritual despair of our current age of ever-mounting anxiety and nostalgia. The tale begins with cartoonist Robert Fun, Frisch’s stand in for Bil Keane, and his family having lighthearted fun at Thanksgiving time. Their holiday meal is interrupted by an automated message from the hospital that Robert’s mother has died. It is this terrible news that cracks apart the family’s facade of harmony and seeming perfection.

Marsha Fun, Robert’s wife and mother of their four children, is clearly unhappy with Robert’s work and his detatchment from the family, which only gets worse after Grandma’s funeral. Eventually, Marsha decides that she can no longer sit on her simmering disappointments and asks for a divorce. The children – Robby, Molly, Mikey, and J.T. – are left to cope with the turmoil in their own ways.

Granted, the adults in this work are clearly self-absorbed which is a fault that many readers will not be able to get past. In a work that initially models a perfect family, it’s fracture is bound to lead to finger-pointing. That the parents should have stepped up will stick in the reader’s craw, no doubt. I would argue, though, that this is one of the many points that Frisch is making along the way, that family dysfunction often occurs at the expense of children.

Despite the trauma, The Fun Family is completely worth the ride. The story clearly works as a deconstruction of that old comic strip chestnut, The Family Circus, and other kitschy Americana. Warning number two, here there be creepy porcelain dolls, Big Eye art, and angel painting!

But more importantly, the work examines – breezily – different spiritual approaches found in modern times. The first is represented by Molly, who sees (or thinks she sees) Grandma in angel form, finding solace and direction through communication with the spirit. The second is Martha’s kooky path of ever-shifting psychological self-investigation of the Human Potential Movement variety, combined with New Age elements. The third is Robert’s own retreat into self-expression as a means of organizing his life, first as the creator of the comic strip and later of sacred paintings. The final path is that of Robbie, the oldest child, who lives, and works as a replacement artist on his dad’s strip, in order to recreate a childhood tableau in which he felt secure.

It is arguable – and is argued strongly by the story’s ending – that this final approach is deeply troubling and damaging as a project. Life continues to move on, people continue to change, and such moments in time were perhaps not as real as they may have seemed at the time. To dedicate one’s life to pursuits that strip mine the past, to succumb to unironic nostalgia, leaves one continuously chasing a dream that can never be realized. This way opens one to a constant sense of disappointment, even despair.

Formats Available:  Graphic Novel

Reviewed by Tony, Main Library


If you are interested in discussing this title or other works of sequential art, please join LFPL’s Graphic Novel Discussion Group.

Meetings are held at the Main Library on the second Monday of every month, starting at 6:00 PM.

Upcoming meetings will take place on the following dates:

  • Monday, June 12, 2017 – Wonder Woman

**Note: The live-action movie Wonder Woman will be released on June 2, 2017**
  • Monday, July 10, 2017 – Marvel’s Spider-Heroes

*Note: The live-action movie Spider-Man: Homecoming will be released on July 5, 2017*
  • Monday, August 14, 2017 – Warren Publishing

 

Top Picks: Graphic Novels of 2016

Well, time has rolled around again for my annual best of list.  This year, I’m going to go about it a little differently.  I’m choosing one selection from each of the 2016 meetings of the Graphic Novel Discussion Group.

The list is in chronological order by month rather than any ranking by preference.  I have included the topic we covered for that month as well.  There are some of the selections where I have only listed the stand-alone work or the series as a whole.

All right, let’s get to it…

Craziness, that’s all I’ve got to say!  If you like the tough-kid Borribles series (a major influence on writers like China Mieville) and the twisted narratives of David Lynch‘s movies then you will love this graphic novel by Farel Dalrymple.

 

This is an incredibly detailed 24 foot-long panoramic drawing by Joe Sacco that tries to capture the full events of just one day of battle in World War I. The set also includes a 16-page booklet to give viewers some historical context.

 

  • The Sandman series (by Neil Gaiman and J.H. Williams III) – Sandman Overture

sanmanoverture

Neil Gaiman finally returns to his award-winning, beloved Sandman series with a prologue tale that explains just how Morpheus was captured in the very first issue of the series.  The art by J.H. Williams III is gorgeous and appropriately psychedelic as befits the adventures of the Lord of Dreams across the galaxy as he attempts to right a wrong from long ago.

 

roadtocivilwar

This volume of the first Civil War series collects the prequels to the main tale.  In it we get to see how key players such as Doctor Strange, Mister Fantastic, Namor, Professor X, and Iron Man form the ultra-secretive Illuminati, as well as how Spider-man is drawn into the conflict between the forces of government control and those superheroes who wish to retain their autonomy.

 

  • May 2016: We did not have a meeting in May so I’m going to put up a comic that I read in 2016 and just loved, Gotham Academy!

gothacadem

Gotham Academy is a prestigious boarding school with a ton of secrets.  Mystery, magic, and the bonding of a special group of students make for a creepy thrill-ride.

 

Brian K. Vaughan and Marcos Martin have beautifully crafted a future where all our expectations about privacy have been turned upside down after a major event that shuts down the Internet for good.  In this world, our main character, a private investigator, and his femme fatale client break rule after rule in search of her missing sister.  Along the way they stumble into a conspiracy that threatens to shake the very foundations of this new social order.

 

Strangers in Paradise was the 13 year project of indie comic writer and artist, Terry Moore.  It was a complicated series of interlocking stories told in a realistic style with a dedicated fan-base addicted to the intensely personal quality of the main characters’ interaction. It mixed several sub-genres – romance, crime drama, and autobiography – while always feeling fresh and compelling.

 

  • Valiant Comics – Harbinger (by Joshua Dysart)harbingah

Honestly, I could have picked a few other titles such as The Death-Defying Doctor Mirage, Archer & Armstrong, or The Eternal Warrior as my favorite Valiant Entertainment selection but Harbinger is the title that originally attracted me to their line of comics.  It is the tale of Peter Stanchek and other teens like him who have psionic powers and are trying to escape Project Rising Spirit, who have been holding them prisoner and conducting experiments on them.  Joshua Dysart‘s pacing is tight and his dialogue is crisp, letting the reader get to know the characters while keeping thrills coming one right after the other.

 

A classic and a cornerstone of many introductory Comic Studies courses, Scott McCloud‘s Understanding Comics is more than just that.  It is also an entertaining comic in itself.

 

Mike Mignola has created one, excuse the pun, hell of a quintessentially quirky supernatural comic character with Hellboy.  This trade is a collection of the various one-offs and other ephemera about Hellboy that were published in other titles.  Also, there is a short story, King Vold, that was created especially for this particular compilation.

 

Well, what can I say?  Doctor Strange is one weird dude and so are most of his stories.  I honestly can’t pinpoint a particular one that I’d suggest because I tend to like him best when he is part of a team, be it The Defenders, the Illuminati, or as Dr. Doom’s sidekick in Jonathan Hickman‘s Secret Wars.

 

lrv1n24

This series is hard to quickly summarize because there have been three different creators, all brothers, with different visions who have participated across the 30+ years of its existence.  The primary two creators have been Jaime Hernandez, whose focus has been on the punk scene of a primarily Latino community in California (presumably East Los Angeles), and Gilbert Hernandez, who has spun out a rich set of stories about a mythical Latin American town called Palomar (and the immigrants in the U.S. who’ve hailed from there).

My personal favorite are the stories that focus around the characters Maggie and Hopey, also known about town as the Locas.  You can see them in action in the above now-iconic picture from Love & Rockets #24.

 


If you are interested in discussing these titles or other works of sequential art, please join LFPL’s Graphic Novel Discussion Group. Meetings are held at the Main Library on the second Monday of every month, starting at 6:00 PM.

Upcoming meetings will take place on the following dates:

dciomfeb2017

Formats Available:  Graphic Novel

Reviewed by Tony, Main Library

Graphic Novel Round-up – Strong, incredible, daring females!

Moon Girl and Devil Dinosaur, Vol. 1: BFF by Amy Reeder and Brandon Montclare

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Imagine having a colossal T-Rex as pet in the modern day Marvel Universe.

And on the other end, imagine having a plucky and fearless teenage girl as a pet.

 

Patsy Walker, A.K.A. Hellcat! Vol. 1: Hooked On a Feline by Kate Leth and Brittney Williams

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Patsy has been to hell and back (literally) but nothing compares with having to find a job in New York City.

 

Spider-Woman, Vol. 2: New Duds by Dennis Hopeless and Javier Rodriguez

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Reporter Ben Urich joins Jessica Drew as she attempts to make a new life for herself separate from the Avengers.

A surprise Silver Age character joins their motley crew as they set out on a comical road trip across America.

 

Lumberjanes, Vol. 4: Out of Time by Shannon Waters and Noelle Stevenson

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Jen and the Lumberjanes find a way to save the day, again!

If you haven’t been introduced to Jo, April, Mal, Molly and Ripley you are seriously missing out.

A hilariously entertaining ragtag band of brave and wondrous girls.

 

In the Sounds and Seas by Marnie Galloway

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A deep and thought-provoking wordless graphic novel.

If I had to make a pile of nice things to leave for a house guest to look at during a visit, this would be in it.

A positively beautiful book, check it out.

 

Ghosts by Raina Telgemeier

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A fantastic graphic for kids and teens (and adults!) about the Day of the Dead and letting go of the things that scare you.

Telgemeier magically and subtly conveys how at the end of the day, love transcends life and death.

I adore Raina’s books, I think this one is my very favorite of hers.

 

DC Comics: Bombshells, Vol. 2: Allies by Marguerite Bennett and Marguerite Sauvage

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Wonder Woman!  Batgirls!  Supergirl!  Stargirl!  Batwoman!  Mera!  Zatanna!  Catwoman!  Amanda Waller!  Big Barda!

Need I say more?

As World War II storms across Europe some of the most extraordinary women in the DC universe band together to fight an old villain rising from the grave.

 

Ms. Marvel Vol. 4.: Last Days by G. Willow Wilson and Adrian Alphona

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In my opinion the very best of the Ms. Marvel volumes so far.

When the world is ending do you keep fighting or give up?

Or…dance it out!

Jersey City and Kamala are just the best.

Not to mention a cameo from Carol Danvers herself!

Formats Available: Graphic Novel

Reviewed by Heather, St. Matthews