Bon Air Science Fair!

This upcoming Tuesday at 6pm, Bon Air Library will be hosting a program full of science experiments for teens, all supplies provided! Experiments will include Elephant Toothpaste, Silly Putty, Ice Cream, and building a wave machine. Come check it out!

What’s Elephant Toothpaste? Here’s a more extreme demonstration!

Of Pies and Birds

Bird pies, pied birds, and pie birds.

It all started when I wanted to do a full-on program on mute swans and swan upping. As it turns out, this was a weird idea, and maybe not suited for an actual mini-class that people would actually come to. I never did get enough material for a program, but I did keep turning up primary sources on a fairly bizarre historical food. Behold! A Mute Swan Pie.

Kitchen scene with fancy swan pie.

Kitchen Interior by David Teniers the Younger, 1644.

I know it’s a lot to take in, but take a minute, and really process this. In the back, there’s people roasting various birds on spits over a fire. There’s even more game birds, including teeny songbirds (Katherine, later: and a GREY PARTRIDGE!! They’re everywhere!), bottom left, probably also destined for their own pies. Various meats abound. The swan pie is right there, on the table, next to the red-skirted cook who’s peeling apples. It’s fancied up with a crown and flower garlands.

Sooo… what on Earth is with the swan pie? Well, the pie itself is the ancestor of pot pies. So, meat filling, and the crust is a lot thicker and tougher than our flaky pie crust is today, because it’s meant to seal in and support all that meat. People still make and eat meat pies of this sort in the UK. So, inside the elaborate crust is the roasted mute swan meat, in its own gelatin and drippings. Also, it’s decorated with its own severed wings and head, which, guessing from copious amounts of 17th Century paintings, was the fanciest possible way to cook and present a bird.

Turkey Pie

Turkey pie with a pink rose in its beak.

Still Life With a Turkey Pie by Pieter Claesz, 1627.

 

Some Kind of Personal Small Bird Pie (Grey Partridge Perdix perdix ?? That’s my best guess.)

A picture representing February of a cook holding a tiny pie - what looks like a gray partridge pie I guess.

February by Joachim von Sandrart, 1642.

I think that the personal pie bird in question really looks like it’s a gray partridge. What do you think?

Gray partridge in snow.

By K.Pitk [CC BY-SA 3.0 (https://creativecommons.org/licenses/by-sa/3.0)], from Wikimedia Commons

Hmm. Gray neck and front. Speckled wings and tail. Rust colored face. Also, I’ve been looking at partridges long enough trying to figure out what that bird is that the word has started to look really weird. Partridge. Partridge.  P a r t r i d g e.  Gah! On to the next thing.

In addition to ending up inside pies, some birds are pied birds. Magpies, for example. Pied is an archaic word describing the pattern of having patches of different colors, usually black and white. The Eurasian Magpie is usually what people mean by magpie, and it’s easy to remember what it’s scientific name is, because it’s what Pikachu would say (although arguably misspelled.) Pica pica

Eurasian magpie on a fence

By Garry Knight (Flickr: Magpie on a Fence) [CC BY-SA 2.0 (https://creativecommons.org/licenses/by-sa/2.0)], via Wikimedia Commons

The Pied Piper 

A street fair in Hamelin, Germany, with a bunch of kids dressed up as rats, and a pied piper guy.

The city of Hamelin, Germany still has all sorts of stuff commemorating the Pied Piper from folklore, or, creepily enough, maybe based on historical fact.

Healthy surplus kids getting sold to slave traders is not off the table in this case. Especially since the rat-catching bit seems to have been added a couple centuries later, and doesn’t show up in the original sources we have for this folktale… Check it out at this nifty archive of folktales. Well, that took a horribly grim turn. You know what will cheer everybody up? Ponies and linguistics! Yay!

 

Piebald Horse

An old picture of a piebald drum horse.

A piebald horse is a horse that is black and white. A skewbald horse is a horse that is any other color than black and white.

Stewball was a racehorse. No. Really. He was an actual horse. And he was probably a skewbald. Hence the name. Also, if you’ve never heard this word used for horse colors before, it’s because in North America, we generally use the Spanish-derived pinto (painted) to describe a white-splashed horse. Then the word bounced back to English, and we call them paint horses too. Lest you assume that the picture is one of those dusty crusty remains of the long lost past, nah, they still totally have ceremonial drum horses. What’s harder than playing a slide trombone? Playing a slide trombone on a horse.

The Pied Crow Corvus albus

A pied crow - black with a white belly - in a tree.

By Thomas Schoch [CC BY-SA 3.0 (https://creativecommons.org/licenses/by-sa/3.0)], via Wikimedia Commons

These guys are native to sub-Saharan Africa, and not to be confused with crow pie, of course. As we’ve seen already, it’s totally reasonable that the four-and-twenty blackbirds baked in a pie are literally an entire crow massacre cooked in their own juices in a pie. What a way to eat crow.

So, now that we’ve covered bird pies and pied birds, what about pie birds? If you made a totally sealed pie, with no holes cut in the top crust, the steam and pressure build up from cooking might cause a piesplosion. Or, less dramatically, at least soggy crust. To keep the steam from ruining your pie, you need to make sure the crust has a hole to let it out. Sure, it’s pretty easy to just cut holes in the crust, but, in true Victorian fashion, the people of the 19th Century weren’t going to leave it at that. A pie bird is a little ceramic piece shaped like a bird (usually with an open beak), and hollow, with an open bottom and top. You put the pie bird in your pie and poking up through the crust, to vent it. That’s it. Wikipedia has an article, but otherwise it’s hard to find more about the use of pie birds. We just don’t use pie birds much anymore. Instead, people collect them as prime examples of obscure consumer culture kitsch. Nothing quite like kitchen accessories that nobody really needs.

Death’s Scythe

Death in a cholera outbreak, mowing down people.

This is how it’s done. Death mowing down people like wheat in a cholera outbreak.

Here we go. RANT TIME. I draw things, often. I don’t know if you draw, but if you do, I hope this helps you out, or at least gives you something to think about. Even if you don’t draw, hopefully you’ll find plenty to think about. Maybe this sort of thing will become a series, too, about things that bug me about art. Being an artist is about training the eye and observational mind as much as the hand. The topic today is Death’s scythe. This is seriously one of my personal artistic pet peeves – understandable, but it really does impact how Death comes across. I’m talking here about personified Death itself. The Grim Reaper. If you take just one thing away, it should be this:

A SCYTHE IS A FARM TOOL, NOT A WEAPON. YES, THIS MATTERS.

Let’s get what a scythe is out of the way, because although it’s interesting, it’s not as interesting as why this matters, and how so many artists get this wrong, especially recently. A scythe is a farm tool for cutting down wheat or grass and such, really efficiently.

Like so:

Obvious Note: less physical work is not the same thing as faster.

A scythe is not an awkward weapon that has a blade that sticks out at right angles to the pole for some reason, with the edge on the wrong side. A scythe is an elegant mowing machine. In most models, the blade is angled, so that it’s horizontal to the ground when the scythe is in use. Why this matters: a scythe is not a tool for combat between roughly-equal beings. A scythe is a harvesting tool. Death carrying a proper scythe means that human lives are as single stalks of wheat before the blade. Look at that newspaper illustration at top again: that’s what a pandemic is like – death mowing people down like grass.

So, that’s what a scythe is, and why it matters. The last question – why do artists have trouble with Death’s scythe, especially recently? – is an open one, and interesting. I can think of two possible reasons, maybe even both at a time. Maybe artists in recent times don’t have much experience with scythes, and don’t have the chance to observe how they’re used or put together. We don’t generally harvest with a scythe anymore, so the chance to see one in action is more rare. The other half is that maybe the modern experience of death itself has changed. We’re used to people dying one at a time from disease, picked off with precision, not mown down. For contrast, this is what the 1918 Flu Pandemic looked like:

South Beach Hospital Ledger.

South Beach Hospital admissions ledger. Everybody’s got the flu, and four people are dead in a matter of days. WWI was just wrapping up, and still gets most of the attention, but this flu pandemic still killed more people than the entire infamous Great War, and in a matter of months. Here’s the document source!

Yikes. By contrast, our death, the death with a wonky, useless scythe is a much less fearsome entity than the Grim Reaper.

 

Teen Summer Reading has begun!

Teens (6th – 12th grades) who read 6 books, magazines, or graphic novels this summer by August 11 are eligible to win some great prizes including:

  • an ID cardholder & earbuds
  • FREE Passes to the Kentucky Science Center, Frazier Kentucky History Museum, Locust Grove, Rauch Planetarium, Louisville Bats, Louisville City FC, and Squire Boone Caverns
  • FREE Lemon Ice from Fazoli’s w
  • FREE Frosty from Wendy’s w
  • FREE classes at Hwang’s Martial Arts w
  • FREE Passes to U of L sporting events

Everyone who completes Teen Summer Reading will automatically be Entered for a chance to Win one of these Grand Prizes:

  • UofL football tickets
  • $100 Barnes & Noble Gift Card
  • a tablet computer

The program is free. To register, click here or stop by any Louisville Free Public Library location.

You Fight Like a Cow

Monkey Island notwithstanding, your life might just be better if you take “you fight like a cow” as a compliment. The truth of the matter is that – whatever Tennyson and the Victorians’ moralistic viewpoints – “nature red in tooth and claw” really mostly holds true only for predatory attacks on food animals in actual nature. Even then, few predators will attack prey with a mind to getting in a fight. After all, if your food stands a good chance of thrashing you in a fight, the predators won’t be around for long. An actual fight is just too risky. It’s not like there’s emergency veterinary hospitals in nature. Even a small cut could get infected and eventually kill you. A broken bone or chipped tooth could prove fatal if it means you can’t catch meals. As an aside, this is one of the major forces shaping the evolution of venom. The geographic cone snail has some of the most outrageously potent and fast-acting venom of any creature, purely because it’s a snail that eats fish. If a fish, once bitten, had any chance to run away or fight back, cone snails would have a very rough time just catching breakfast, let alone surviving it.

Given how much animals in the wild stand to lose from fighting, most will go to a lot of effort to avoid a fight in the first place. Lots of animals have specialized equipment – horns, antlers, ossicones, tusks, gill frills, song – specifically for settling disputes with other members of their own species in a way that keeps it from getting too violent too often. There’s a whole suite of behaviors that virtually all animals have to prevent fights in the first place and settle those that do occur as fast as possible.

Let’s talk about cattle. They actually have one of my favorite conflict sequences, and you can plainly see how cow disputes progress through several stages at each of which the parties have a chance to de-escalate the conflict, or decide to proceed to the next step.

The Official Cow Fight Procedure:

  1. Rival Cow Spotted!
    • If you know this cow, and you each know where you stand with each other, you’re cool, and both can back down now. If either has any doubts, proceed to step 2.
  2. Angry mooing.
    • Let the rival know you’re not happy about this incursion. If the rival responds with more angry mooing, and you don’t want to back down either, keep up the noise and proceed to step 3. Otherwise, if you get no response, the rival agrees to back down.
  3. Pawing of dirt to signal aggressive intent. 
    • If each cow is still prepared to get in a shoving contest, they’ll proceed to step 4.
  4. Standing sideways to each other to show off size.
    • If either individual decides that the other is too big to take on, they’ll just quiet down and walk away to eat grass. Otherwise, if both are convinced that they can take the other, proceed to step 5.
  5. Prepare to lock horns.
    • Both cattle lower their heads. This is the last chance to back down, and can be very brief.
  6. Shoving contest.
    • The rivals lock horns, or rest their heads against each other (if polled or hornless), and try to shove the other until one disengages and walks away.
  7. Resolution.
    • When one of the rivals backs down, it is possible to continue angry mooing, and allow the rival to angrily moo a bit to save face. If the issue isn’t settled, the cycle might repeat (but usually doesn’t) until the cattle can predict who will win the shoving contest and accept the results. Generally, just once is enough to settle the issue. Most of the time, cow fights don’t even get to step 6 at all before one of the rivals backs down.

You can watch the whole complicated sequence below, with these two Hereford bulls.

Switzerland has a whole sport based on introducing cows to each other in the Spring. The cows spend the Winter on their individual farms, but in the Spring, they get together again for the drive to alpine pastures. Of course the cows need to settle who’s top cow, and it was only a matter of time before people started painting numbers on their sides and setting up concession stands. Yes, these are actual cows, too, not bulls. Note udders. When a cow backs down, she’s removed from the ring until only one cow remains, and is crowned Queen of the Cow Thunderdome. Sorry: “Queen of Queens” technically, as the cow fighting is called the “combat de reines” or literally the “fight of queens.” Cows are Very Serious Business in Switzerland, in case you couldn’t tell.

These cows are all members of the Herens breed of cattle, and are selectively bred for cow fighting. Meet Penelope, a Queen of Queens.

Notice that nearly all of the Official Cow Fight steps are about communicating a problem and providing plenty of chances to back down. And if the other cow does, but they make a lot of noise about it, let them. It’s all just angry mooing.

Once everything’s settled, even Herens Queens are perfectly chill with each other, and pass their Summers in idyllic alpine meadows.

Plenty of other animals have an official fight procedure, like cows do, it’s just that in cows, it’s so clear and well-defined. There are plenty of videos of Complicated Cat Space Negotiations, for example. Just remember: if there’s video of it, someone found it interesting and exciting enough to record, so for all of these videos of cow fights, there’s lots and lots of cow fights that never happened. This is an example of selection bias – if you were to study how often cows fight, cow fight videos on YouTube would be junk data to draw on, because people are way more likely to record and post interesting video of cows fighting than the many, many allegedly boring instances of cows not fighting.

morP: Steampunk Edition

What in the world is a morP? morP is an alternative to prom (or prom spelled backwards). Join teens around Louisville as we kick off Teen Summer Reading with lots of music, food and fun! Pull out your best steampunk gear and come dance with us as DJ L. Churchill spins on the 1’s and 2’s. For more information, please call (502) 964-3515. Grades 7-12. Registration is required. Click here to sign up.

Not sure what to wear to morp? Come to one one of our steampunk accessory programs!

Meet up with your friends at your local library branch to create accessories for your prom attire. Be sure to talk with a teen staff member for more information about morP and to register for this program! Ages 12-19

 

High Concept and Low Concept

Sometimes, if you’re discussing books that you read, games that you play, shows that you watch, music you listen to – basically any media you consume – you need some specialized ideas and terms to help you describe and discuss it. “It was great” or “It was bad” or “I thought it was OK” are all very well and good, but it’s so much more satisfying if you can also talk about WHY you liked/disliked something. If you want to win arguments and impress your friends, remember your ABCs – Always Backup Criticism.

Have examples, of course, of things you like or don’t and why. But, sometimes, you need some special vocabulary and ideas in order to help you with your critique. That means it’s time to add another idea to your toolbox: high vs low concept. This is all about how much concept a work of art contains, not how good the concept is. Think of it as a matter of the amount the concept itself contributes to the total content of the work.

Jane Austen’s novels are generally low concept. The idea of the novels – that people in various economic circumstances need to get paired up (or not paired up, or not paired up the way they thought) – is nowhere near as important to the books as the interactions between the characters, which is why people read them. Here’s an example pie chart, based on a very precise and academic guesstimate:

There’s also works that split it pretty much right down the middle, generating interest in equal parts from the idea that drives them, as well as the execution of the plot and characters:

On the far end of the scale, there’s also works that are high concept – that get their interest mostly from the ideas that drive them. I can think of no better example than 18 Days, which breaks down about like this:

As I’ve probably mentioned before, the library has the concept art book, if you want a look at the idea, but, sadly, they didn’t get full funding for the series as it was originally conceived. Instead, you can watch it in a few different languages on the Graphic India YouTube channel. Still pretty awesome, though.

Whatever the level of concept in your media, now you have a new way to talk about the things you love: is it high concept, low concept, or a balance of the two?

A Very Metal Study Break

We’re closing in on the end of the school year, and there’s plenty of pressure and stress in the air. Maybe just take a few minutes to watch some music videos, acquire a new taste, and relax – and possibly passively learn a bit more history for that scary final. Naturally, we’re going to do all this with the most logical music genre for the purpose: heavy metal.

If you want a thorough overview of the history and taxonomy of metal, there’s the excellent Map of Metal site that visualizes the genre as geography so you can see how everything’s related, complete with examples if you click on the regions and cities that stand for the different sub-genres within metal. Since other sites have done such a good job with this, and this isn’t a metal history lesson, I’ll just leave that link there, so you can explore it if you like. But the aim here is that any learning you do is going to be very incidental to having a good time during your study break. So, on to the videos!

Metal stylistically lends itself to routinely dealing with heavier, grander, more dramatic topics and treatments than you can get away with in other genres of popular-ish music. That said, it’s definitely a very short tiptoe over the line into utterly ludicrous melodrama. Some bands end up in this territory by accident, others choreograph an elaborate dance routine all over the line. We’re definitely going to start with one of those.

Yeah. There’s nothing I can add to this. The universe is a better place because this song exists: power metal about a zombie unicorn invasion.

Another quirk of the genre is that heavy metal never actually went out of style in some parts of the world. In Scandinavia, for example, not only did it never go out of style, it’s practically mainstream. Check out this music video for the Swedish National Women’s Curling Team:

So it is in Sweden. However, it’s also the case in Japan, too. There’s quite a bit of truth in the movie This is Spinal Tap, where the band finds out that though they’re floundering on the domestic circuit, they’ve inexplicably become famous and end up performing for sold out arenas in Japan. There’s more than a few acts – several of them metal – that barely eked onto the charts here exactly once, but are celebrities in Japan. Sure, Babymetal gets some attention here, but that’s largely because they’re a gothic-loli-style girl band that does pop black metal, and our culture seems to think that this is surprising for some reason. Neither metal nor girl bands nor gothic loli stylings are unusual in Japan, and if you’re going to compete in a crowded market for girl bands, you better have your act together. Babymetal definitely does.

What about the serious stuff, though? What about heavier metal? If only there was a Taiwanese symphonic black metal band that specialized in the Pacific War. Oh, wait, there is.

The band also has versions in English, but I like this one better for this song. It’s also actually in Taiwanese Hokkien, which is why there’s Chinese subtitles. Completely different languages, actually. There’s metal for every taste out there, and all sorts of historical stuff too. You want an 18 minute long epic about an airship disaster? Iron Maiden’s 2015 album The Book of Souls has you covered. The library has a few copies too. Seriously, our music collection is pretty robust, so whatever genre you want to explore, check it out.

 

That Actually Happened: Princess Ruth Ke’elikolani

What is a princess? You’re probably thinking something along the lines of this:

A pretty woman in a fancy gown lying to a frog about kissing him.

Anne Anderson’s illustration from The Frog Prince.

Fancy gowns and circlets notwithstanding, princesses usually get married off for political purposes to princes, and every major event in their lives is generally determined by other people’s decisions. Queens regnant – those who rule in their own right – are not what you’re thinking about, and not what people mean by princesses. That’s not how it generally works in Europe. We could go on yet another deep introspective pop cultural analysis of what it means that princesses are role models for young children, OR we could unpack that massive string of qualifiers I just dropped, and you probably didn’t notice, because we’re so used to thinking of European history as just plain history. Nevermind that one cannibalistic intrigue riot/coup that the Netherlands had that we already treated, or the fact that rage-throwing people out windows as a political statement was common enough in Prague (then Bohemia, now Czech Republic) that there’s a word for it: defenestration. Or the practice of castrating boys so their voices don’t change during puberty so they can sing soprano for the opera, or church choirs, or … I could go on forever about how weird European history is. No, really. I could. It does a disservice to the richness of history to just let your mind gloss over it like it’s normal. All history is weird and wonderful, and all you have to do is take a closer look. Everything deserves to be weird; everything deserves attention.

Princesses who actually do something: that’s not generally how it works in Europe.

 

Hawai‘i: Structure of Power

Let’s put the ‘ back in Hawai’i, first. What is a ‘ anyway? It’s a glottal stop. The little pause added to make space between d’s in “good dog” – “good’dog.” Watch this video, and listen to some Hawai’ian language, to get a feel for how it all goes together. Back with me? Good. We’re going to be using that glottal stop something fierce. The first time I use a term, it will be in bold, but I’m not going to put all non-English terms in italics, because this would be almost impossible to read.

Welcome to Hawai’i before the takeover by the United States. The Hawai’ian ruling class are the ali’i (not to be confused with the ‘a’ali’i which is a plant – that’s why spelling is important). This class derives its power from their ancestors, reaching back to the gods. High ali’i, or ali’i nui, ruled entire islands in the archipelago, and bestowed land use rights on ali’i below them, who in turn had the right to give land use rights to the people who would work the land. This authority and power ultimately passed on from the gods themselves is called mana. Depending on family ties, ritual correctness (observing kapu – ritual restrictions), political power, and social prestige, different people had more or less mana.

(I’m sure I’ve said it before, but I like history because it’s like looking under the hood of a car, and seeing how it works. Sure, it’s all functioning automobiles, but what’s going on inside could be wildly different. Some civilizations are like four-stroke engines, some the rotary engine, and some are like electric induction motors – common in household appliaces, but also in electric cars. Completely different mechanics might be happening, and that’s exciting and cool!)

Anyway, Princess Ruth Ke’elikolani lived in a time when the Kingdom of Hawai’i was in crisis. Just years from being overthrown by (mostly) fruit magnates and a pro-US navy cabal and handed over to the United States, the court and ruling Kamehameha family were under tremendous pressure to conform to European norms as to what a monarchy looked like, and how royals acted. The Hawai’ian royal house pursued a policy of assimilation – to try to win respect of the great world powers by looking and acting as much like European royalty as possible, in the hope that despite being not as strong militarily, they would still be respected as kings and queens that they were.

World History Spoiler Alert: ultimately, this effort was doomed because of racism, pineapples, and Pearl Harbor. Racism, pineapples, and Pearl Harbor are all connected, because of imperialism as an economic and social structure. What do the great powers want? Sw33t pineapple fr00t. How will they secure it? Navy depot at Pearl Harbor. Justification for overthrowing the Kingdom of Hawai’i to get it and cash in? Racism.

Pineapple field, with pineapples, in O'ahu.

By Nandaro [CC BY-SA 3.0 (https://creativecommons.org/licenses/by-sa/3.0)], from Wikimedia Commons

Behold! Pineapple, toppler of nations. The Kingdom of Hawai’i wasn’t the first, or the last, government to be taken out on account of the fruit cartel lobby, and their insatiable bloodlust for sw33t l33t fr00t l00t. There’s a reason vicious dictatorships that have the window dressing of democracy with none of the actual government mechanics of it are known as repúblicas bananeras. Why, on this glorious blue Earth, there’s a clothing brand named after this phenomenon, I have no idea.

Anyway anyway, concerning political authority and mana, being a princess as an ali’i isn’t just a matter of being a daughter of a king or something. (Being a princess if you’re a member of European royalty generally is a matter of being a daughter of a king. Unless you’re legitimized or something later, which is another thing I want to treat on this blog, because it’s delightfully complicated. And, after all that, you won’t be a princess, technically. Looking at you, Marie Anne de Bourbon.) Princess Ruth Ke’elikolani’s mother was High Chieftess Keoua-wahine, and two other powerful ali’i claimed her as their daughter, which means that she had two well-connected fathers, as well. As such a po’olua ali’i, she was set up for a position of great status and power in the Kingdom. Then, as part of the Kamehameha family’s attempts to remake the government along a European model, the Constitution of 1840 effectively barred her path from the pinnacle of power by making her birth a liability rather than an asset. This in no way stopped her from being Governor of Hawai’i, though. While the rest of the royals tried their hardest to erase their culture and become as European as possible, Princess Ruth Ke’elikolai Wasn’t Having It. At All.

Princess Ke'elikolani Not Having It at a photography session.

Magnificently Not Having It. About role models: make having just 1/10th of this self-assurance and dignity a life goal. Of course, she comes by it naturally, but still.

She built several huge palaces on her lands (which were most of the Big Island, after all) in the latest architectural fashions. Check out her last, and fanciest palace, Keoua Hale, finished right before her death, in 1883.

An incredibly fancy, Late Victorian style tropical palace.

This palace is actually bigger than the official royal palace of the Kamehameha family, too… just sayin’.

BUT, she also had a traditional grass palace built, too, as a statement of her support and patronage of Hawai’ian culture.

A high-roofed grass house, with glazed windows.

The Palace of Not Having It. You can even see one of her other palaces, in the background.

She also supported traditional culture and arts, like the Hawai’ian language, poetry and verse, chanting, lei making, religion, and hula dancing. The art of hula – under pressure from missionaries and having lost wealthy noble patrons to their tactic of assimilation – nearly died out. Let me say that again: 150 years ago, the world almost lost hula dancing. Princess Ruth Ke’elikolani commissioned performances, and supported traditional dance, and effectively saved hula for a revival under King David Kalakaua. No Princess Ke’elikolani, ultimately no Merrie Monarch Festival.

 

Not Generally How it Works in Europe…

While the United States of America was coveting the heck out of Pearl Harbor, and fruit merchants were plotting to overthrow the Hawai’ian government, women (especially married ones) in the United States, and much of the European-derived cultures worldwide were under coverture. This legal status for women meant that they couldn’t bring suit, they couldn’t own property independently of a man, except in some very specific corner cases, and they didn’t even have rights to their own children. In short, women were not legal entities on their own at all, much less Governors of Hawai’i. Oh, and don’t dare think of just not marrying, because women couldn’t inherit property either, and were barred from most jobs – at least most jobs that made actual money. That’s why the stakes are so high for the Bennett girls in Pride and Prejudice – if they don’t marry, they lose everything.

One way to think of it is this: Princess Ruth Ke’elikolani was a (massive) property owner in her own right, and a political force to be reckoned with. She was also married. When did married women in Kentucky gain the right to own and control their property – you know, actually have property? Go on. Guess.

 

 

 

 

 

Yowch. No, really. Kentucky finally passed a Married Women’s Property Act in 1894. Eleven years after Princess Ruth Ke’elikolani – Governor of Hawai’i, wealthy landowner, patron of traditional culture – died. That’s just one way that this long, twisted tale of social power structures, greedy fr00t magnates, hula, and the power of force of personality casts its shadow on your life, right now. Everything is interesting, everything is connected.