Inside Chat with Kevin Gibson

If you are familiar with the New York Times Book Review, you may have seen the section where authors and social figures are interviewed about current events or newly released books.  Back in April 2021, I had the opportunity to interview Kevin Gibson, a Louisville author and resident.  You may remember his contributions to the LEO Magazine years ago talking about food and beer culture in the community or may have checked out one of his published works at the library.  Here is my inside chat with Mr. Gibson. I hope you enjoy the conversation.


Could you tell everyone a little about yourself?

I am a nerd who loves things like Batman and Star Wars but who also loves sports (especially the Green Bay Packers) and history. I’m very social and tend to make friends easily, yet I am also introverted and enjoy “decompressing” by spending time alone and/or with my dog, Atticus. I also love tacos and sushi.

Growing up, did you know you were going to be an author?  Who encouraged you to pursue this profession?

I first wanted to be a comic book artist. I also had a brief time when I thought I wanted to be a Hollywood stunt man. But when I was in the fifth grade, a local TV journalist came to my class to talk to us about journalism. We did a mock news broadcast and I was given the job of being the sports copywriter. I was hooked for good on the idea of being a writer.

How did you first get into writing and what inspired you to write about specific topics?

I took my first journalism class as a sophomore in high school and never looked back, becoming an active member of the school newspaper staff, then going to college for journalism and English. I have kind of gone through phases, and I think this goes back to my wide variety of interests and passions; my focus was to become a sports writer, which is where I started. After a few years of covering sports, I realized it was starting to burn me out on sports, which was something I didn’t want to ruin as a pastime, you know? I ended up writing film reviews, music reviews, restaurant reviews and more feature/people-oriented stuff from there. I also spent a few years trying my hand at horror fiction, which was a passion for me back in the late 1980s and through the 1990s. But I had very little success getting my creative writing into magazines, so that eventually fell by the wayside.

What kind of reader were you as a child?  Did you have a favorite author or books that stuck with you the most?

I read a lot of comic books – sorry, graphic novels – but also read the usual stuff. My favorite book from childhood was “Where the Wild Things Are” by Maurice Sendak. It really fed my imagination and showed me a story can really go anywhere you want it to. Later, I went through my sci-fi/fantasy phase (Piers Anthony, anyone?), and I remember reading several books about dogs during my tween years – I have always loved dogs, and love stories when they are cast as the hero. I’m sentimental that way.

What is one thing you enjoy the most about Louisville or the Kentuckiana area?

I love the feeling of intimacy juxtaposed with the many features of larger cities, like pro sports, the dining scene, the museums, the parks. Louisville certainly has its problems, but there’s always a lot to do. I also love the neighborhoods and their interesting and unique histories. And I love patronizing the local breweries. I guess that’s more than one thing, though, isn’t it?

What is your wheelhouse as a reader?  Meaning what genres, tropes, themes and such grab your attention to read?

It again depends on mood or phase. I have been reading non-fiction almost exclusively in recent years, from biographies to history to books about actors or TV shows. But as noted, I went through a long stretch in which I was obsessed with horror fiction, especially short fiction. I would go to Hawley-Cooke Booksellers almost weekly to buy horror magazines like Cemetery Dance.

What are you currently reading?

Currently, I’m reading Jerry Seinfeld’s latest book, “Is This Anything?” It’s basically material he never took to stage or to the TV show, so you can just read it in his voice and it’s like you’re at a Seinfeld live show.

Since the beginning of the COVID-19 pandemic, has your writing been impacted in any way?

Yes, although I would never call it writer’s block – I don’t believe in writer’s block. For me, the loneliness and depression I went through when I basically had nothing left to write about – being a restaurant/night life writer in a pandemic is a non-starter, you know? – Just sapped me. Also, my mother was very ill as the pandemic began and she died last year on Mother’s Day. So much about 2020 just killed my energy, and I know I’m not alone. Thank goodness I had my current book project in front of me to look forward to. That one should come out this fall.

Do you have a favorite setting when it comes to writing and/or reading?

I can’t say that I do. I wrote most of my beer history book (“Lousville Beer: Derby City History on Draft”, 2014) at the bar at Buffalo Wild Wings in the Highlands. But my last couple of books I’ve written mostly at home on my couch. I can write anywhere, really, because once I get in “the zone,” I can block out pretty much anything. Well, except for my dog, who sometimes forces his way into my lap to get my attention. Hard to dissuade a 70-pound hound dog.

You are hosting a dinner party and can invite any 3 people regardless if they have passed away or are still living, who would you invite?

Wow. Well, Bart Starr would have to be one. He was an idol for me starting at age 9, and just seemed like such an honorable and decent man. After that, maybe John Lennon. I think it would be fascinating to hear his views on what the world has become today. And the third would be my grandfather, just because of how much I miss him every day and would love to just be with him again. I never knew I could miss someone so much until he died.

What are your top 3 restaurant in the Louisville area both past and present? If someone is going to buy you a meal what 3 restaurants would you pick and why?

These questions are really mean. Ha. I have to say one would have to be the late, great Maido on Frankfort Avenue. I love Dragon King’s Daughter, but Maido was special to me. I used to joke with Toki, the owner that I may as well just sign my paycheck over to her every week. There was also a little short-lived gem I loved called Taste of Jamaica. The owner, Ibuka (who I believe is still making food around town), was just great, and the jerk wings were the best I’ve ever had. Every meal I had there was wonderful. But currently? It goes back to mood. Some days I have to have El Mundo. The Irish Rover gets a lot of my money. Anyplace with a seafood boil, like Storming Crab (yes, I realize it’s a chain). Seviche is magnificent. I really like Jake & Elwood’s, too, and I recently tried I Love Tacos and was pretty blown away. Sorry I can’t pick three, it’s just impossible for me.

You released a book in 2014 called Louisville Beer: Derby City History on Draft and contributed to LEO Weekly a section about beer, how has the beer culture evolved to the present day?  Do you see any new opportunities/businesses in a couple years?

I’m not a brewer or a business man, but breweries remained open during the pandemic, and that tells me there’s still room for growth in Louisville and the Commonwealth of Kentucky. As long as the beer is good, I think a brewery has a shot to make it. And I love that each of Louisville’s breweries seem to have found its own identity – that tells me there is still opportunity. I still am a firm believer that the breweries that will have the most staying power are the ones that serve their neighborhoods and are able to adapt. And I think the bourbon boom actually does offer opportunities for breweries here in Kentucky that might not exist elsewhere.

What can you tell folks about your book being released in the fall titled, This Used to be Louisville?

It’s a look around the city at places that we generally know as one thing but once were something else. In some cases, it’s a historical place that deserves recognition; in other cases, it’s just some random place in a random neighborhood. For instance, there’s a little Italian restaurant on Frankfort Avenue that originally was a toll house that marked the outskirts of the city at the time. It’s one of the last such toll houses from the early 19th century that still exist in Kentucky. Big picture, I wanted to look at a wide variety of buildings and places to drive home the point that so much has happened in the spaces we regularly frequent or merely drive past on our way to living our day-to-day lives.

Kevin Gibson’s published works that are available at LFPL:

Interview by MicahSt Matthews Branch

Relic by Alan Dean Foster

They call him Ruslan, the last human. Rescued from Seraboth by the Myssari, he does not remember his real name. Humanity all but destroyed itself due to violence. The once far-reaching human empire of many worlds eventually succumbed to the Aura Malignance, a contagious infection caused by a biological weapon that was developed by humans, which killed only humans and could not be stopped.

Ruslan has been kept alive by the Myssari for many years as a highly valued and well respected, last human specimen. The Myssari are more honest, kind, friendly, trustworthy and less violent than humans. Ruslan respects those qualities and appreciates their care. Still, he does not control his own destiny. The Myssari wish to preserve the record of human civilization and restore the species while he thinks it is a waste of time and resources. Ruslan believes that humans deserved their fate. He views humans as opportunistic exploiters of just about anything. The Myssari offer to search for any other living humans and to try to find the planet Earth. Together, they travel to several different worlds in search of humans and encounter many obstacles, competing species and a variety of unusual outcomes.

Any reader who lasts through Chapter 8 may wonder why the story is so long and drawn out and may be tempted to quit there. But it gets more interesting fairly quickly. The characters are well developed and this is a good story that has a surprise ending.  Relic could be adapted as a very interesting movie.

– Review by Elaine, Main Library

A Spring of Poetry

A poet is, before anything else, a person who is passionately in love with language.”

W.H. Auden


Nothing Gold Can Stay Robert Frost

Nature’s first green is gold,
Her hardest hue to hold.
Her early leaf’s a flower;
But only so an hour.
Then leaf subsides to leaf.
So Eden sank to grief,
So dawn goes down to day.
Nothing gold can stay.

During quarantine I became immensely comfortable with my couch and by extension my television. Many hours were lost to Netflix, Amazon Prime and Apple TV. One series that surprised and delighted me was Dickinson. It is a comedy which follows a young Emily Dickinson as she observes the constraints of gender, society and family in the 19th century. Hailee Steinfeld leads the cast as Emily and her portrayal brings to life the poet whose presumed life choices has overshadowed her poetry. Her poetry, or poetry itself, is the crux of my rambling – after watching an episode I went to my bookshelf to find The Poems of Emily Dickinson so I could read her words again.

I find reading poetry immensely energizing, it brings me great joy, so I leap at the opportunity to share it. Lucky for me a whole month is dedicated to celebrating it; April is National Poetry Month* and this year is the 25th anniversary. Unfortunately, this year’s celebration looks different from past years – there may not be as many public readings or SLAM performances, but you can have your very own poetry reading from the comfort of your couch. You can celebrate the occasion by reading a poem-a-day, picking up a book of poetry from the bookstore or library, or watching famous and local poets perform their work on YouTube.

There are also abundant resources to help you celebrate on Poets.org.

The Library has opened its doors just in time to celebrate, come browse our shelves and discover the world of poetry.

Below is the inspirational Tedx Talk “Poetry: Why it is Important” with Scott Griffin. Griffin is the founder of the Griffin Poetry Prize which promotes excellence in Canadian and International poetry.


*National Poetry Month was created by the Academy of American Poets; a national, member-supported organization that promotes poets and the art of poetry. The nonprofit organization was incorporated in the state of New York in 1934.

– Article by Carolyn, Main Library

Types of Comics

(a small selection of different kinds of comics at the Louisville Free Public Library)

Comics are a medium, one that comes in an many formats. Below is a short guide to the rich variety of these publications.

Album – European comics with larger page size and higher number of pages than comics in the U.S. See Pamphlet

Anime – Animation, for TV or the movies, made in Japan, and for the Japanese market.  For more info, see our Manga and Anime FAQ

Animation  A form of film using drawings (and sometimes other techniques) to create the illusion of motion

Asian Comics  Comics are called manga in Japan, manhwa in Korea, or manhua in China. For more info, see our Manga and Anime FAQ

Audio Comics – A form of audio narrative that is structured like a comic when created. Important elements such as action and setting are explained in detail. Sound cues are used to indicate shifts from panel to panel. For people who are not blind, it sounds something like an old-time radio serial

Bande Dessinée (or BD French term for Comic Books. They are usually published in the Album format

Bluesies – See Tijuana Bible

Caricature – a drawing style that exaggerates features, particularly of the face, to portray individuals in an easily recognizable manner. Often used in editorial cartoons.

Cartoons (when not animated)  Typically, these are single panel comics of an editorial nature

Chick Tracts – Short Pamphlet with Evangelical Christian themes. This type of comic gained its name from the most prolific publisher of the form, Jack Chick

Comic Art  A form of Sequential Art

Comic Books (or Comics The most generally used name for individual issues of comic art; often they are Soft-bound (Comics). See Pamphlet

Comics Strips – Short pieces of comic art to be published in a periodical (such as a newspaper or magazine), most often to be read horizontally

Comics with hand-sewn spines – Comics assembled like a scrapbook

Comics with tête-bêche binding  A rare format for comics wherein two different comics are bound together back to back, each reversed from the other so they share the same spine. Tête-bêche is French for, roughly translated, “head to tail.” These works are sometimes called double books or reversible books

Crossover – The placement of two or more otherwise discrete fictional characters, settings, or universes into the context of a single story. They can arise from legal agreements between the relevant copyright holders, or because of unauthorized efforts by fans. Most of these comics are not part of the canon of any of the original works

Digest-sized (Comics) – Comics which are roughly the size of paperback books

Digital Comics  Comics that are released digitally. They may be Motion Comics or Webcomics

Film Comics – Sometimes known as Cine-Manga or Ani-Manga. Manga works which use illustrations directly found in an Anime rather than original art, and which utilize dialog from that anime

Flipbooks – Comics where each page’s art varies slightly and when flipped creates the illusion of motion

Floppies – See Soft-bound (Comics)

Foldable Comics  Comics that are shaped in some manner (like a work of origami) and are to be read as the shape is unfolded

Fumetti – Italian term for comic books as a whole.  Some use this term to designate a specific format using photographs and word balloons (which was very popular in Italy during the 1940’s and 1950’s). In the English speaking world, this specific format is known as the Photonovel

Graphic Adaptations – These are works that use a story from another medium (poetry, movies, or novels are most common) but translate them into a comic format. They may also be called Tie-Ins with relation to a particular current popular work (where they act primarily as advertising for that work)

Graphic Novels – In the purest form, a stand-alone comic of book length with a clear beginning, middle, and end to its story. However, the term is often used interchangeably with Trade Paperback

Hard-bound (Comics) – Publications with a stiff cover (like a book or graphic novel)

Hybrid Comics  Printed comics that are read in tandem with digital content

Illustrated Book – A book with words and pictures but where the story is coherent without the pictures. Contrast with Wordless Comics

Infinite Canvas – A format for comics on a computer wherein the monitor does not replicate the printed page. The screen is seen as a window to a story told in any direction, theoretically ever-expanding. Hyperlinking and touch options may add interactive elements to works

Japanimation – A non-Japanese term for Anime. For more info, see our Manga and Anime FAQ

Light Novel – A Japanese publishing format of short stories, liberally interspersed with manga illustrations. Typically, the story is about what would be classified as a novella in the U.S.

Magazines  Serial pamphlets of a larger size than the average comic book in the U.S., often printed on higher quality paper. See Pamphlet

Manga – Comics made in Japan for the Japanese market. In Japan, titles are published first in magazine format as part of a larger anthology. If successful, an individual manga will be reprinted in a collected edition. There are many genres of manga, catering to a wide variety of audiences. For more info, see our Manga and Anime FAQ

Metacomic –  In brief, a metacomic is a comic about a comic. The characters are able to take advantage of the comic’s structure to progress in the storyline. Or – if the characters remain unaware of their fictional status, the story itself comments on those structures, conventions of genre, or fan expectations

Mini-comics  Comics which are not professionally published, often having an unusual size. See Zines 

Motion Comics – Digital Comics that combine motion, sound, or interactive elements with pictures and words to tell a story. Some feel that Motion Comics are really just a kind of Animation

Pamphlet – A complete publication of generally less than 80 pages stitched or stapled together and usually having a paper cover. There is no particular size requirement, thus Albums or Comic Books or Magazines fit the category of pamphlet if they are not Hard-bound

Phonebook (Comics) – A term for a certain type of collection of previously published comics that is printed on pulp paper and is very thick (like old-fashioned phonebooks). The style was made popular in the 1980’s by Dave Sim when he collected story arcs of his comic, Cerebus

Photonovels – Comics which use photographs rather than drawings. See Fumetti

Picture Book – A book where words and pictures are used to tell a story but where the pictures are of equal value (or are more dominant) in doing so. Most often picture books are for children

Poetry Comics – Comics that use poetic structure rather than the more typical prose style. The term may also be used for Graphic Adaptations of poetic works

Sequential Art – A term defined by Will Eisner as, “an art form that uses images deployed in sequence for graphic storytelling or to convey information”

Soft-bound (Comics) – Single issues of comics with a floppy spine, often stapled in the middle. They are also sometimes called Floppies

Square-bound (Comics) – Publications printed on flexible cardstock that are bound on the side like a book. Known in the publishing industry as a Trade Paperback

Tankōbon  A Japanese term for a book length, stand-alone comic (similar to how Trade Paperback or Graphic Novel are used in English)

Tebeos  Spanish-language term for comic books. In Spain the term is more specific, used to denote a magazine that contains comics

Tie-Ins  See Graphic Adaptations

Tijuana Bible – Sometimes known as Bluesies. Small-sized pornographic comics, often parodies of mainstream comics, that were published from the 1930’s to the 1950’s

Topper – A smaller comic that runs across and/or around the borders of another comic. This was once a popular technique used in comic strips when the size of comic strips and the space allotted to them in the newspaper was much larger than today

Trade Paperback – A book of previously published issues that originally appeared as individual comics. In common parlance, this is often referred to as a Graphic Novel

Treasury-sized (Comics) – Oversized comic books, approximately the size of an unfolded newspaper page

Typography Comics – Comics which play on the graphic element of words to tell a story.  They often have pictures to accompany the words

Webcomics  Comics created for and published on the Internet. They may be limited to what is immediately on the screen, hyperlinked to other information, or use the Infinite Canvas format

Webtoons – A style of Digital Comics that originated in South Korea which takes advantage of the Infinite Canvas and which may include animated or audio elements. They are designed to be best consumed on a phone or tablet

Wordless Comics – Stories told using only pictures. Contrast with Illustrated Book

Zines  D.I.Y. Magazines that combine any number of art styles, particularly self-created comics

 – Article by Tony, Main Library

Dutch Girl by Robert Matzen

Warning: This review contains allusions to disordered eating, parental emotional abuse, trauma and PTSD.

With the release in December 2020 of the recent documentary, Audrey, providing a personal glimpse into internationally beloved actress and humanitarian Audrey Hepburn, fans of her activism, her iconic style and her legend will likely find themselves reaching for other works to provide insight and a feeling of closeness to her. I cannot more strongly recommend Robert Matzen’s Dutch Girl, an addicting biography of Hepburn’s adolescence in the Nazi-occupied Netherlands that reads like historic fiction written by your favorite World War II scholar. It is a marriage of emotion and adrenaline, crafted by a historian whose awe of his subject is apparent throughout the work, and in this intimate tribute to the origins of Hepburn’s legacy of empathy and philanthropy, it doesn’t take readers long to see his point.

Meticulously researched and assembled with the care and sentiment of a personal scrapbook, Dutch Girl is a window into Hepburn’s childhood, defined by parents whose Nazi sympathies nearly destroyed her family and contributed to the occupation and abuse of the Netherlands by Germany during World War II. We are treated to the story of a child of respectively absent and dominant personalities in a wealthy, titled family that had already begun to decline by the time Adolf Hitler rose to power, and how far that family had still to struggle. To say young, mild-mannered Audrey (so-called Adriaantje in Dutch) is the perfect perspective for readers to experience life in the Netherlands as it existed under German occupation is an understatement, and Matzen’s detailed yet fluid writing style adds to the sensation that you’re simply reading a novel about a young girl set during this time. As someone for whom ADHD makes focusing on sitting through an entire book difficult, it surprised me how quickly and easily I was sucked in to this wartime account. Even before Matzen compares the two, it’s easy to see through the story of another girl experiencing the same events from a different perspective why Otto Frank initially asked Hepburn to portray his daughter Anne when her famous diary was made into a film.

Dutch Girl sometimes veers away from a focus on Hepburn to describe significant military maneuvers by Allied or German troops and what their operations meant for Velp, the town in which Hepburn’s family relocated to try to survive the war and unwittingly placed her in both extreme danger and as privy to some of its major events in the Netherlands. But these digressions into what the S.S. was also up to at a certain time or Hepburn’s mother’s lineage and what it meant for her rarely feel distracting: Matzen is an experienced biographer who spins his historic narrative with its seemingly-unrelated factual events in an engaging way that you barely mind, and sometimes forget about Audrey Hepburn the fifteen-year-old a bit in the middle of all the excitement. When we steer back to her it is as a palate-cleanser from the adrenaline of an exciting wartime account and the emotional anchor of the book. As Hepburn’s son Luca Dotti notes in his foreword, after reading the biography, “Even I immediately forgot that there would be a happy ending for Audrey. As I read, I realized that bomb, that bullet, that German truck and its load of prisoners could simply be The End.”

We are led with Hepburn on a journey as she witnesses atrocities experienced by Jewish friends and neighbors; experiences her uncle being murdered by the SS in an assassination that would become infamous; volunteers as an errand-runner for members of the Dutch Resistance; and experiences the “Hunger Winter” of 1945 in brutal detail. But these are just the major placeholders between dozens of everyday accounts that fill the book, curated from the few occasions Hepburn ever spoke of the war and from others in her immediate community who gave accounts as well. Matzen’s thoroughness in bringing multiple facets of her experiences to life through others introduces us in depth to figures like Hepburn’s mother, the complicated and flawed Ella van Heemstra, who transitions from an outspoken supporter of Hitler’s genocidal plans to someone who finds her mind changed when it’s her own family impacted, bombed and starved, and her sons are in hiding from the threat of being drafted while she struggles to keep her daughter safe from German soldiers.

We also learn about everyday heroes of the Dutch Resistance active in Velp that Hepburn had links to: especially Dr. Hendrik Visser ‘t Hooft, an illegal-motorcycle-riding, Nazi-evading, charismatic figure in the Resistance for whom Hepburn volunteered at his hospital and who was likely the person through whom she worked with the Dutch Resistance. I have never heard his name in a history class or anywhere else, and I’m sure most people haven’t, but it was just plain fun reading about this everyday hero who used his privilege in his own community to work to safeguard his Jewish neighbors and facilitate efforts to resist fascism, even with Nazis actively marching down his streets. I now have about six books on the Dutch, German and French Resistances lined up to read, and it’s completely his fault.

From “Dutch Girl”, Robert Matzen. Somebody arrest this man…for stealing my heart.

A wide collection of works documenting the life of Audrey Hepburn as a starlet and later ambassador have been produced, but as the kids say, Dutch Girl just hits different. It tells the story of a complete human whose world was so much more than many know, and relatable at every turn despite taking place nearly a century ago in what likely felt like a completely different world. Artists and performers pushing themselves physically to the limit to pursue their dreams around multiple side-hustles can see themselves in Matzen’s account of Audrey’s post-war struggles, newly arrived in a different country and flinging herself from ballet to theater while still a teenager in order to earn enough money to support herself and her mother. Her complicated, lifelong relationship with food first as a child studying a physically intensive sport, nearly starving along with her entire family on “war rations”, and joyfully, chronically overeating when once again able and describing herself as a “…swollen, and unattractive, as a balloon…” when from a lifetime of photographs we know this to be an untrue perspective on her own body, will resonate with many. Children of domineering parents may recognize the origins of Hepburn’s self-criticism in her mother early on in this account of her childhood, only to be proven right towards the end of the book at Hepburn’s self-deprecating account of her mother’s casual, backhanded insults of her even at the height of her Hollywood career.

While it is impossible for those of us living in 2021 to comprehend the horrors of World War II, it feels almost familiar to read, over a year into pandemic quarantine, of a young girl forced to shelter in a basement with her family, sneaking out for a bit to get some sun in the backyard one day (and almost getting bombed by the war literally playing itself out in her backyard). It feels like a balm, or even a promise, to read about that time in her life when hope was in short supply and then celebrate with her as Matzen describes the final liberation of Velp by Canadian troops with accounts of joyful reunions with long-lost neighbors and families reuniting to rebuild. The war never ended for Audrey Hepburn in many ways that she barely let on in her lifetime, but her actions as a tireless advocate for those devastated by wars and disasters speak more loudly than the quiet interviews that earned her a reputation for mystery ever could.

Review by Sarah, Middletown Branch

“Oh, what a tangled web we weave, when first we practice to deceive!”

When I first read a review of Fresh Water For Flowers, I found myself drawn to the protagonist, a woman named Violette Toussaint who tends to a cemetery in modern-day France.  Despite the setting (or perhaps because of), I was intensely interested in how the author, Valerie Perrin, would develop this fictional character in such a setting.  I was not disappointed.

Initially, the reader learns of Violette’s childhood as an orphan and how she met the love of her life, Phillipe, and while this was engaging, a broken plot was introduced that provided glimpses of the past and present, from varying viewpoints, in which several storylines and additional characters emerged.  And it was clear that somehow they were all connected – but how?  This drove me to almost frantically read this book, as I became almost desperate for answers to questions that seemed to multiply as the story progressed.

Employing lovely prose, Ms. Perrin examines the lives of characters propelled by pasts and emotions that are simply too powerful to suppress or ignore.  What I find incredible is how the author introduced a seemingly simple story and then added layers, which created a wonderful sense of mystery that left the reader guessing until the very end.  I suppose, it felt as though one were slowly ascending a plot with uncertainty at its summit that then leads to the other side and a slow descent to resolution – although, resolution in this case is not equivalent to a happy ending.

A best-selling author in her home country of France, Fresh Water for Flowers is the first novel by Ms. Perrin to be translated in to English. Hopefully, this will not be the last.

– Review by Rob, Crescent Hill Branch

The Remaking by Clay McLeod Chapman

Gather round all who would hear the tale of Ella Louise Ford and her daughter Jessica, the witches of Pilot’s Creek (Kentucky). Ella Louise born into a well-to-do family but was ever the strangest of children. She used dried tobacco leaves to make charms, keep bees in jars under her bed and even talked to opossums. After a time, folks began to shun the Ford family. So, when Ella Louise became of age her mother was determined she be the grandest debutant at the dance in a beautiful gown of pink. On the night of the big dance though, Ella Louise entered with her dress in rags, covered in mud and leaves in her hair. For her long-suffering parents, it was the end; they banished her from their life.

Ella Louise went to live in the woods outside Pilot’s Creek in a small cabin where nine months later she gave birth to her daughter, Jessica. All the town’s people dubbed Ella Louise and her daughter witches but that didn’t stop them from visiting the small cabin in the dark of night for potions and herbs. A pregnant woman’s death was laid at the door of Ella Louise and Jessica. Without proof, the law could do nothing, but a small band of men thought otherwise. They drug Ella Louise and Jessica from their home and burned them alive. Separated in death, Ella Louise was buried far from her daughter deeper in the woods, while Jessica’s bones were sealed in a vault buried in the ground and surrounded by metal crosses that were meant to keep the little girl in her grave.

In 1971, Lee Ketchum, a director, who had heard the stories as a young boy, felt compelled, to retell the witches’ story in a movie. This was the curse of the town’s people of Pilot’s Creek, which they should never forget what had been done on that long-ago night in 1931; the story must live on. Rife with problems from the beginning it would also disrupt Amber’s life, the young girl who plays Jessica.

 In the 1990’s, Amber, still known for playing the role of Jessica in the film “Don’t Tread on Jessica,” is appearing at comic conventions all these years later. She is offered by an ardent fan the role of Ella Louise, rather than Jessica, in a remake he wishes to shoot. Haunted during filming by Jessica and Ella Louise, their desire to be together again, can she face Pilot Creek, Ella Louise, and Jessica once more?  

Filled with suspense, reading from multiple points of view, along with diverse storytelling, Clay McLeod Chapman released The Remaking as his second adult novel last October. An author of various children’s books he engages the reader to keep turning the page in the novel wondering what happens next and how all the characters fit together. If you are interested in learning more about The Remaking and Clay McLeod Chapman, I recommend checking out this episode from the Reading Glasses podcast where he was interviewed not only about his books but his reading quirks and what he enjoys reading.

Review by MicahSt Matthews Branch

A Brief Look at 2020 in Music (or a Quarantine in Music)

Like every facet of life, 2020 also made music a little strange. Primarily, this came at the expense of observing live music. Virtually every concert or tour that had been planned was cancelled, so many active musicians were suddenly faced with inactivity (like the rest of us). Though, isolation can also conjure a variety of new emotions and ideas. With a little extra time on their hands, it was also the perfect time for artists to create something that was a little different from their norms; something that was bold and adventurous or even something just for fun. So in this piece, I’d like to point out a handful of releases that were a result of the quarantine lifestyle, to praise their work ethic and creativity in an unusually hard year. Some of these will be available to check out through our system, though like many operations around the world, our catalog of 2020 music is yet to be complete, so I’ll also include a couple blurbs about some interesting music that hasn’t yet hit our shelves.

Free Love by Sylvan Esso

Sylvan Esso has been on the scene since 2013 and this marks their 3rd full length album. I’ve always admired this band for their harmonious chemistry, effortlessly producing their best art. This is a duo, consisting of Nick Sanborn and Amelia Meath. They’ve made successful music elsewhere, but what is exciting about their ventures together is that they come from very different musical backgrounds. Nick Sanborn has been making music for a long time, namely in Indie Rock bands like Decibully, Headlights, and Collection of Colonies of Bees. Nick also has made Dance/Electronic/IDM music under Made of Oak, which has his most bold efforts as a solo musician. Amelia Meath, on the other hand, is recognizable in a group called Mountain Man, which specializes in Appalachian Folk tunes! Much of their style is very traditional, focusing on vocal harmonies and old standards found in Country and Bluegrass.

So what happens when these two forces collide? Well, this isn’t noodly Indie Rock… this isn’t the purist Electronic… and this definitely is not Appalachian Folk. Instead, these are very dancy, yet minimal Indie Pop tunes with Sanborn bringing a wide variety of production and Meath bringing honest and heartfelt expression through unabashed vocal delivery and story telling; likely a skill that is learned in the Folk and Country traditions. Very colorful, fashionable, and striking electro that will produce robotic dance movements and a couple tears. I find a lot of this comparable to something like Tune-Yards, St. Vincent, Phantogram, Glass Animals, MGMT, etc… but their chemistry provides something that is unique to the genre, something that puts emotion on the forefront instead of just fancy production tricks. That chemistry is surely the reason they married half way through their career, but this is one married couple that knows how to channel their love into their music as well as their relationship.

This newest album is reminiscent of and cohesive with their image, but I kept getting glimpses of plinkerpop listening to this new one. That isn’t an incredibly blossoming term, but it describes electronic and plunderphonic music that sounds tiny! A lot of efforts have exhibited this sound: The Notwist, Lali Puna, Pram, Múm, I Am Robot and Proud, etc. Sylvan Esso has yet to make a bad record, and this new one is on par with the others! Check out the track Ring for a particularly lovely attempt from this album.

The extra time lent this band to revisit an idea that they had from 2019. They assembled a tour that year that translated their sound to a full orchestra setting, bringing along multiple musicians to create these digital ideas in acoustic ways. That album was also released in 2020 called WITH, but they did another orchestral rendition of Free Love at the very end of 2020 called WITH LOVE. Both are pretty amazing.

Folklore by Taylor Swift

Oh …. really? More Taylor Swift commentary? Doesn’t Noah talk about anything else?

Listen, I know most of my publications have included commentary about Taylor Swift, but this one fits the bill! Taylor Swift completely blindsided the world with this release and perfectly encapsulates the time that quarantine gave us. Taylor made her debut in Pop Country, dropped the Country eventually and became a Pop icon, but this one marks a third era. This album does not have any club bangers, any bubblegum bass, or any fierce attitude. This album is thoughtful, slow, sad at times, and really… not even Pop at all. This is… Folk… Orchestral… Singer-Songwriter… It’s romantic, airy, melancholic. But, somehow, it’s all still Taylor. Even with such a substantial change in sound, the song writing and vocal delivery still sounds like her. It doesn’t sound like she is emulating much conventions either. This Indie Folk trend is prevalent in a lot artists over the past ten years, but Taylor makes it her own!

Like her previous efforts, she does surround herself with other well known musicians to help write, produce, and generally direct the moods of the music. This time she adds Aaron Dessner of The National and Justin Vernon of Bon Iver. Glimpses of The National and Bon Iver are present here, with the dark, majestic, and morose sounds they are both known for. But it is so surprising that Taylor was able to use their help to make a drastically different sound from what Taylor is known for but… somehow… it created one of Taylor’s best records. The Last Great American Dynasty was my favorite track.

You know what’s even crazier? This album was released in July of 2020, but she releases ANOTHER album in December, Evermore. Another Folky interpretation of Taylor’s identity. There is a part of me that wants to scoff at incredibly popular musicians continuing to gentrify the Folk stratosphere but… darn it… She’s pretty good at it.

[Editor’s note: Folklore won a Grammy last night and also broke a new record. For more info, click here.]

How I’m Feeling Now by Charli XCX

Charli XCX has had a whirlwind of a career. For years, I saw Charli only in the recesses of whatever Pop convention was trendy for that season. She seemed like an artist who, to be frank, was lucky enough to become visible but really didn’t have an image or identity to capitalize on. For instance, most people that had an eye on commercial music around 2012/2013 probably recall Icona Pop’s I Love It, because it was everywhere. Retail commercials, video games, blockbuster movies, and likely over the intercom of Speedway while pumping your gas. Well, Charli helped write it. But songs like that are so fleeting and estranged from the identity of the artist, that they usually go down as “that one song” instead of an addition to a discography. That was Charli’s identity for years, from my perspective. She pops up in the credits of Iggy Azalea songs, Selena Gomez songs, and a handful of others. Generally, I skipped over these.

She had put out a couple of underwhelming Pop albums in the early 2010’s, but eventually ran into the PC Music crowd and found a relationship that would become a home. PC Music is a label; a collective; an ever morphing ideology. A large handful of young English electronic producers spearheaded a new wave in production that focuses on experimentation and sound palettes that come across as a rare alien language. In recent years, the term hyperpop has been coined and that is arguably entirely credited to the music that PC Music had pumped out in the mid 2010’s. 100 Gecs and Dorian Electra are on that front as well, and it seems that all of these musicians are friendly and inspirational with each other. Anymore, many of the PC Music musicians have found their own homes to grow their identity, but “PC Music” and “hyperpop” has remained the nomenclature for this brand new sound in electronica. Sophie is one of the leaders in that sound, and she is the one that produced Charli’s 2016 EP Vroom Vroom, a record that shifts Charli’s sound for the better. Charli cultivates these new relationships over the next few years and releases one of 2019’s best electronic album’s Charli, an ambitious effort that is polished and complex.

Then quarantine came. And Charli decided to make a more DIY effort while in isolation, mainly using tools that were accessible in her home. A.G. Cook, another PC Music veteran, was there for much of the production, bringing in the hyperpop flavor. The end result is magical. It’s raw, it’s fun, it’s lo-fi, and really expresses the idle, listless, and confused quarantine emotions. A lot of the lyrical content focuses around living with her partner and the roller-coaster that the relationship had to offer while in isolation. Thus, the emotions here are palpable and cathartic. Yet, it’s so anthemic! Every part of this album is catchy, the slow and sad parts as well as the hyped up dance tracks. It has the same satisfaction as a “breakup” album or ballad’s reminiscent of the 80’s, but the production is throttling. One moment it sounds like music to shop to, and the next moment sounds like the blistering chaos of Aphex Twin. But it’s the honesty that really sells this album. This is a an unfiltered look at the mind of Charli, and her genius is really showing. Claws is my most listened song of 2020, and this is my favorite album from 2020

I have to take a moment to remember Sophie, who tragically passed away a few weeks ago in an accident. Her presence as a leader in new electronic music was monumental, and it seemed as if her career had only begun. Here is a link to her 2018 album, a tour de force. R.I.P <3

Honorable Mentions from The Internet

As I mentioned, our catalog is always growing, but there were a few favorites I found from 2020 that we don’t yet offer. So I’ll blitz through some, bullet point style!

  • Atlas Vending by METZ – Canadian 3 piece making Noisy, Hardcore, Post-Punk. Exhilarating stuff, good for punching holes in walls and driving fast. There is a band making similar sounds that has gotten a lot of exposure recently, Idles. Honestly, I like the METZ interpretation a little more.
  • Spirituality and Distortion by Igorrr – While there are moments in Igorrr’s catalog that I adore, there are other moments that come across as if he bit off more than he could chew, but with such an ambitious sound, I usually give it a pass and just observe the absolute insanity and creativity that he has to offer. Blending an affection for lightning speed Breakcore, avant-garde and extreme Metal, and Classical Music/Opera (yes, Opera), this is music you can’t find anywhere else. I can’t promise you’ll like it, but a quick peek will certainly intrigue.
  • Beneath by Infant Island – There were a handful of Punk and Hardcore releases, but Infant Island came through as some of my favorite. Their blend of Screamo and Black-Metal is really spot on, especially when those combinations were kind of overplayed after Deafheaven released Sunbather in 2013. This newer band is bringing some vitality in these genres.
  • Forever In Your Heart by Black Dresses – This was released just a few weeks ago, but written and produced through 2020, and I love it so much that I have to bend the rules to include it. Devi and Ada come back after a brief yet tumultuous break-up to make one of their most effective albums yet. Industrial influenced Heavy Metal that can still be called Pop and Electronica. This thing is FIERCE, SEXY, NOISY and absolutely amazing. They make music individually too, check those projects out. For fans of 100 Gecs, Poppy, Grimes, and OTEP.

— Reviewed by Noah, Bon Air

When Books Went to War by Molly Guptill Manning

“The stories that helped us win World War II”

Ever wonder why Mass Market Paperbacks became a thing? Why books that were some enough to fit in a pocket or be easily toss in a bag become so popular?  If you are like me it probably never crossed your mind, you just read the books. What lead to production of mass market paperbacks? Or the event that turned The Great Gatsby into an American classic? Those questions and more are answered in When Books Went to War: The Stories That Helped Us Win World War II by Molly Guptill Manning. 

I’m a bit of a WWII history nerd but I didn’t know about the push to get books to the troops. Nor did I know about the Armed Services Editions that would eventually become our modern day mass market paperbacks. Who would have thought that a World War would change how the average person consumed books? After reading this it should have been obvious that soldiers, sailors, and Marines would have been desperate for a mental break, and what better way to escape than in the pages of a book. Isn’t that why most readers read?  I should have known from my dad’s own experience in Beirut in the early 80s as part of the peace-keeping force where he said books made the time more bearable when letters from home were few and far between. Books let him escape for a while, because they were the only option for downtime he had. He still has his dog-eared and taped up copy of the Lord of the Rings trilogy that got him through it. It doesn’t matter if it’s a foxhole in WWII or in a tent in the desert, books are precious and are a welcome escape from the world. Reading about servicemen and their earnest desire for books made a war one only reads about in the pages of a history book made it more real. It allowed me to walk in their shoes if only for a moment.  

I enjoyed reading this book and learning about the role that libraries and librarians played in the efforts of collecting books.  Even if, thanks mostly to the general public, the books weren’t useful to the military. Because even today people see donating books to the library as getting rid of books they themselves don’t want,  not realizing that it might not be able to used, much like what was happening during WWII. When what the boys overseas wanted was books to escape they wanted novels. And that’s where the publishers and magazine houses came into play to get easy to transport books to the troops. 

Thanks to the Armed Services Editions making readers were that hadn’t been before. That plus the GI Bill helped to create a literate postwar middle class.  

– Reviewed by CarissaMain Library

Ultima Thule by Davis McCombs

From the Yale Series of Younger Poets, Ultima Thule is a lovely and worthy read penned by Kentuckian Davis McCombs, especially recommended now during African-American History Month.

The hero of the first sequence of poems is the enslaved Stephen Bishop, the early explorer and cartographer of Mammoth Cave. A trusted guide, indeed the master of an underground world, his skill meant he was relied upon completely by educated, wealthy, powerful, white men and women who visited the Cave in its early years as a tourist attraction, yet Bishop was always aware of his station as property of another. The imagined voice McCombs summons in these beautiful, quietly musical, unrhymed sonnets allows us to appreciate the man as more than what was recognized in his own time. Here he is philosopher and naturalist, observer, entertainer, lover…a complete human denied that recognition of his humanity during his lifetime, his voice unheard by the world that benefited from his talents. The credit for his exploits and his fame was co-opted by his master, the Doctor.

Click here to read more about Stephen Bishop.

In the second and third cycle, McCombs pivots to verse inspired by his own life, including his own time spent as a ranger at Mammoth Cave. No less lyrical, these poems are deeply rooted in the importance of place. The natural beauty of the Commonwealth pours from the pages and invites city-dwellers, confined by routine, a pandemic, and winter storms to plan our own small explorations.

Here’s a taste:

Stephen Bishop’s Grave

“It took four summers here for me to realize

the cave looped back under the Old Guide

Cemetery, that what was mortal floated

in a crust of brittle sandstone or leaked

into the darkest rivers and was caving still.

I went that drizzling night to stand

where the paper-trail he left had vanished:

woodsmoke, mist, a mossed-over name.

I knew enough by then to know that he,

of all people, would prefer the company of rain

to my own, but I went anyway, thinking

of my pale inventions, and stood a long time,

vigilant for his shadow in my own,

his voice as it differed from the wind.”

– Review by Scott, Main Library