Author Archives: carolyntrego

About carolyntrego

Hello, my name is Carolyn and I am a reader; a true bibliophile. I don’t know when I learned to read or what children’s book I had my parents read to me over and over until I memorized it, but I do know the book that sparked my love of reading. It was Muggie Maggie, by Beverly Cleary. Ever since that fateful day, I have never been without a book. My handbag is always bulging with various pieces of reading material so I’m never without something to read. I enjoy sharing my passion for reading with others so a job at the library was a good fit. I have been an employee of the Louisville Free Public Library for 14 years and am currently an Adult LA at the Main Branch. I hold a Bachelor of Arts in English with a concentration in Creative Writing and a minor in Humanities from Ohio Wesleyan University. I enjoy literary fiction, literary thrillers, memoirs, poetry, essays, and short stories. I am charmed by many things so this list is by no means complete : New York City, my cats; Eleanor and Leonard, Boston, Chicago, Scotland, Autumn, travel, museums, baking, fitness, puzzles, chocolate, bookstores...

All Hallows’ Eve

Haunted Houses

All houses wherein men have lived and died
Are haunted houses. Through the open doors
The harmless phantoms on their errands glide,
With feet that make no sound upon the floors.

We meet them at the door-way, on the stair,
Along the passages they come and go,
Impalpable impressions on the air,
A sense of something moving to and fro.

There are more guests at table than the hosts
Invited; the illuminated hall
Is thronged with quiet, inoffensive ghosts,
As silent as the pictures on the wall.

The stranger at my fireside cannot see
The forms I see, nor hear the sounds I hear;
He but perceives what is; while unto me
All that has been is visible and clear.

We have no title-deeds to house or lands;
Owners and occupants of earlier dates
From graves forgotten stretch their dusty hands,
And hold in mortmain still their old estates.

The spirit-world around this world of sense
Floats like an atmosphere, and everywhere
Wafts through these earthly mists and vapours dense
A vital breath of more ethereal air.

Our little lives are kept in equipoise
By opposite attractions and desires;
The struggle of the instinct that enjoys,
And the more noble instinct that aspires.

These perturbations, this perpetual jar
Of earthly wants and aspirations high,
Come from the influence of an unseen star
An undiscovered planet in our sky.

And as the moon from some dark gate of cloud
Throws o’er the sea a floating bridge of light,
Across whose trembling planks our fancies crowd
Into the realm of mystery and night,—

So from the world of spirits there descends
A bridge of light, connecting it with this,
O’er whose unsteady floor, that sways and bends,
Wander our thoughts above the dark abyss.

– Henry Wadsworth Longfellow

Happy Halloween from LFPL!

Overdue: Reckoning with the Public Library

If you use the library- which you probably do, as you’re reading this post- please read this book. There is so much the general public doesn’t see or understand about the working of public libraries and Amanda Oliver lays it bare here.

Overdue: Reckoning with the Public Library, Amanda Oliver. Chicago Review Press, 2022, 210 pages

Part memoir, part expository nonfiction, Overdue: Reckoning with the Public Library illustrates just how much libraries do with what usually amounts to very little money and resources. The author begins by describing a key incident at the branch where she works, immediately clueing the reader in that this portrait will not align with the idealized version of the library the public still holds dear. She leaves much of library history to the first third of the book, even noting how Thomas Fountain Blue, born to formerly enslaved parents, led the first public library branch run entirely by a Black staff here in Louisville. Oliver deliberately acknowledges how exclusionary libraries have been and continue to be –to minorities, poor patrons, unhoused patrons and, those with disabilities, among others. She grapples with how to answer the question “so, what do you do?” when the answer is difficult to explain and how so many public libraries have become de facto homeless shelters. As a library worker, most of the information Oliver relays is not new to me. The value is more that she is arguably the first to gather all these (what for many will be) revelations together in one book accessible to the reading public.

The sort of people drawn to library work are those who give freely of themselves, which is great for the patrons, but for staff it quickly leads to major burnout. Amanda Oliver relates her experience with burnout, first as a school librarian and then as a children’s librarian at one of Washington D.C.’s most beleaguered library branches. She left library work for an MFA program after nearly a year at that branch. That MFA program, in a way, led to this book. And so while Oliver is no longer working in a library, she continues to advocate for libraries. I sent the author a message when I finished reading Overdue, where I told her I felt seen. She captures so well the mixed feelings library workers have about their profession–passion and love combined with stress and fatigue, along with everything in between.

Overdue: Reckoning with the Public Library by Amanda Oliver is available in print format as well as ebook and e-audiobook on both Libby and Hoopla.  

Review by Erin, Middletown

Literary Hour at the Main

With hectic days and full To-Do lists, we all need a break. When was the last time you heard a good story? 

Come to the Main Library and join us for Literary Hourwhere  you can sit back and enjoy the short fiction of new writers and old masters.

Our newest program starts this coming Monday, November 8th at 2:00 PM,  where Three Days by Samantha Hunt will be read.

A Spring of Poetry

A poet is, before anything else, a person who is passionately in love with language.”

W.H. Auden


Nothing Gold Can Stay Robert Frost

Nature’s first green is gold,
Her hardest hue to hold.
Her early leaf’s a flower;
But only so an hour.
Then leaf subsides to leaf.
So Eden sank to grief,
So dawn goes down to day.
Nothing gold can stay.

During quarantine I became immensely comfortable with my couch and by extension my television. Many hours were lost to Netflix, Amazon Prime and Apple TV. One series that surprised and delighted me was Dickinson. It is a comedy which follows a young Emily Dickinson as she observes the constraints of gender, society and family in the 19th century. Hailee Steinfeld leads the cast as Emily and her portrayal brings to life the poet whose presumed life choices has overshadowed her poetry. Her poetry, or poetry itself, is the crux of my rambling – after watching an episode I went to my bookshelf to find The Poems of Emily Dickinson so I could read her words again.

I find reading poetry immensely energizing, it brings me great joy, so I leap at the opportunity to share it. Lucky for me a whole month is dedicated to celebrating it; April is National Poetry Month* and this year is the 25th anniversary. Unfortunately, this year’s celebration looks different from past years – there may not be as many public readings or SLAM performances, but you can have your very own poetry reading from the comfort of your couch. You can celebrate the occasion by reading a poem-a-day, picking up a book of poetry from the bookstore or library, or watching famous and local poets perform their work on YouTube.

There are also abundant resources to help you celebrate on Poets.org.

The Library has opened its doors just in time to celebrate, come browse our shelves and discover the world of poetry.

Below is the inspirational Tedx Talk “Poetry: Why it is Important” with Scott Griffin. Griffin is the founder of the Griffin Poetry Prize which promotes excellence in Canadian and International poetry.


*National Poetry Month was created by the Academy of American Poets; a national, member-supported organization that promotes poets and the art of poetry. The nonprofit organization was incorporated in the state of New York in 1934.

– Article by Carolyn, Main Library

National Poetry Month is here!

“National Poetry Month in April is a special occasion to celebrate the importance of poets and poetry in our culture. In this time of uncertainty and great concern, we can rely on poems to offer wisdom, uplifting ideas, and language that prompts reflection that can help us slow down and center mentally, emotionally, spiritually.” – Poets.org, The Academy of American Poets

Poetry has always brought a sense of calm to me regardless of the state of the world, so I hope our patrons find comfort in this poem by Joyce Kilmer. Visit poets.org to learn more about the National Poetry Month celebration and to read more wonderful verse from our nation’s poets.

Trees

I think that I shall never see

A poem lovely as a tree.

A tree whose hungry mouth is prest

Against the earth’s sweet flowing breast;

A tree that looks at God all day,

And lifts her leafy arms to pray;

A tree that may in Summer wear

A nest of robins in her hair;

Upon whose bosom snow has lain;

Who intimately lives with rain.

Poems are made by fools like me,

But only God can make a tree.

The Hundred-Year House by Rebecca Makkai

“A bighearted gothic novel, an intergenerational mystery, a story of heartbreak, and romance, all crammed into one grand Midwestern estate.”Los Angeles Times

100yrhouse

 

The Hundred-Year House is a great sweeping saga about the Devohr family, and the seat of all their dysfunction, Laurelfield. Once a burgeoning artists’ colony in the 1920’s, frequented by luminaries of the time, the backdrop for inspiration, romance, violence and mystery; now sits decaying and forgotten.

Rebecca Makkai hints at the family’s haunting past with the first sentences:

“For a ghost story, the tale of Violet Saville Devohr was vague and underwhelming. She had lived, she was unhappy, and she died by her own hand somewhere in that vast house.”

Mayhem and mystery unravel over three generations of Devohr women as the house and its provenance looms over their lives and ultimately their happiness. Zee is Violet’s great-granddaughter, a Marxist scholar who is embarrassed by her family, and Grace, Zee’s mother and Violet’s daughter, and the current owner of Laurelfield. Both women grapple with trying to define their place, and their identity apart from the grim history of the family estate.

Makkai chronicles the life cycle of the house into four pivotal years: 1999, 1955, 1929 and 1900. With each year we are given a peek into the lives of one of the Devohr women. In 1999, Zee and her husband Doug move into the carriage house on the property while he works on book about Edwin Parfitt, a poet who may or may not have stayed at Laurelfield while it was an artists colony. In 1955, Grace is a newly married woman to a man her family despises, but she loves him despite this. Grace has taken refuge from her family’s disapproval and her husband’s temper in the attic of Laurelfield, the place where her grandmother took her life. While living there, the house and the grounds become a sanctuary for her but in reality it is a crumbling vestige of its former self. In 1929, shortly after the stock market crashes, Laurelfield is struggling to remain relevant as an arts colony. The staff and resident artists, including Edwin Parfitt, are desperate to convince Gamby Devohr (Violet’s son) that the estate is still profitable. And finally in 1900, when Augustus Devohr buys the land on which he will build his family estate or as his wife saw “it as a prison in the wilderness”, the story’s turbulent beginning is revealed.

In a mere 338 pages, The Hundred Year House, is at its’ core a story about a family whose history is colorful, ugly and full of secrets. It is an engaging novel that warrants a second read.

Formats Available: Book (Regular Type, Large Type)

Reviewed by Carolyn, Crescent Hill Branch