Claudio Bianchi sees a unicorn on his farm. He can’t keep it a secret for very long. Then there are two of them. Then comes trouble. This is basically a story about a middle-aged man who meets a much younger woman, which is a typical plot. However, this story is far from the average romance.
Claudio lives on a small hillside farm in Southern Italy. His companions include cows, pigs, a goat, and three cats. Later, Giovanna shows up while delivering the mail. She sees the unicorn and everything in Claudio’s solitary life begins to change. Claudio is also a very amateur but quite dedicated poet. His writing, like every other aspect of his life, takes on new meaning. Is it the unicorn or is it Giovanna? Maybe it is both of them that change him. This story shows that it may take a few miracles, but good can prevail.
The one thing I don’t like about this book is that the author writes in gruesome detail about the murder of one of Claudio’s cats. Otherwise, this is a nice, sweet, quaint romantic story about a poor, Italian farmer and the sister of the village postal carrier. A romance, that is, which is interrupted by violence, monsters, gangsters, and thugs.
The heroine of this humorous, satirical fantasy is Princess Alex, also called “Stormy” (her middle name). She goes on an accidental and occasionally chilling adventure, fulfills a witch’s prophesy, and manages to kill off three princes. In her effort to save her homeland, Morainia, from the threatening Oosarians she becomes a legendary, almost magical, figure.
The clever, specialized vocabulary used in this story is well defined in the Glossary. But, this was the only part of this book that I did not like. It obviously required significant creativity and effort. It somewhat detracts from the story and slows down reading of an otherwise fast moving and charming fantasy in which time has yet to be “invented”.
It may seem odd that this not very anarchistic and would-be fairy-tale with a teenage heroine is found in the adult Science Fiction section of the library. The story appeals to both age groups but it might be more popular as a Teen book.
In Northern Spy, Tessa – a producer for the BBC – claims to be largely non-political. Like everyone living and working in Northern Ireland she is impacted by conflict between Irish republicans and British loyalists, but she herself has never been involved. Then one day she looks up to see news footage of her sister Marian pulling a ski mask over her head and participating in an armed robbery. Tessa insists her sister must have been kidnapped or coerced into participating in the heist, but eventually comes to realize the sister she thought she knew so well has been secretly working for the IRA for years. When Marian tells her she may have a path for peace Tessa has to decide where her loyalties lie and how far she will go protect everything that is dear to her. This book is a fast read. The chapters are short and the plot moves quickly. This is a great read for anyone who likes mysteries and political thrillers.
Say Nothing is also about two sisters, Dolours and Marian Price. While the fictional Tessa and Marian in Berry’s book were not raised to be political, the real Price sisters were raised in a well-known republican family. Marian and Dolours were participants in several high profile bombings in the UK in the 1970’s. Both sisters spent time in jail, both were subjected to force feedings when they tried to go on hunger strikes, and both received widespread press coverage. Keefe’s investigation also turned up audio recordings, interviews Dolours Price gave to oral historians at Boston College that seem to implicate one or both sisters in the murder of Jean McConville, a single mother of ten children in 1974. Keefe’s book is wonderful at examining 400 years of conflict through the lens of a handful of IRA members and one murder. There’s a surprise twist at the end that is guaranteed to leave you with goosebumps. Say Nothing is perfect for fans of Erik Larson who want a fast-paced, well researched look at the ongoing struggle in Northern Ireland.
LFPL no longer charges fines for overdue items. With this change, LFPL officially joins library systems across the country who recognize that fines statistically do not ensure the return of borrowed materials. They merely create a barrier to library services that disproportionately affects the people who need access the most.
While this proposal eliminates overdue fines, library items not returned will still result in a patron being billed for the replacement cost and blocked from additional checkouts until the items are returned or paid for.
Why is LFPL going fine free?
To provide more equitable access to the library’s materials and resources.
To encourage previous patrons to come back to the library and attract new users.
To improve customer service and the patron’s overall library experience.
What this means for you:
You will no longer accrue a daily late fee on overdue materials.
If you have overdue fines (not replacement costs) accrued before we were fine free, you are no longer required to pay those fines.
You are still responsible for your items. We encourage you to return all items in a timely manner.
The library will continue to send you courtesy reminders to return your items.
Past replacement fees for lost or damaged items still apply.
Comic-Con has announced nominations for the Will Eisner Comic Industry Awards 2021. The nominees are for works published between January 1 and December 31, 2020 and were chosen by a blue-ribbon panel of judges.
All professionals in the comic book industry are eligible to vote.
The deadline for voting is June 30, 2021. The results of the voting will be announced in July in a virtual ceremony as part of Comic-Con@Home.
For a list of items in the library that are Eisner Award-winning works, click here.
An often overlooked time period, at least in my personal historical fiction reading habits, is the Reconstruction Era immediately following the end of the Civil War, especially as it was for formerly enslaved people living in the American North. Nicole Glover’s debut speculative mystery novel The Conductors is an interesting depiction of that time period, a slow-paced mystery set in a world where Black folks can work magic, and featuring chosen and found family.
Hetty and Benjy were Conductors on the Underground Railroad who are now trying to find their place in post-Civil War society in Philiadelphia’s Seventh Ward, along with some of the people they helped escape from slavery. They are married but it was a marriage of convenience, something they’ve fallen into to allow greater freedom of movement for each of them. Although the magic system isn’t as well explained as it could be at times, I was really enchanted with the use of constellations as the source of the magic’s power, both from a historical perspective as well as the striking imagery it brings to the world. Hetty and Benjy used their magic skills to help them guide other enslaved people to freedom, but magic can be used for evil here too.
When an acquaintance stumbles across the dead body of an old friend and comes to Hetty and Benjy for help, they know they can’t trust the police to pay attention to the murder, much less solve it or prevent others from happening. Hetty and Benjy quickly realize they’ve gotten into something more sinister than they had expected, and have to work together to learn things about their community that some would prefer remain hidden. For those interested in speculative historical mysteries with found family, I strongly recommend checking out The Conductors.
The Conductors includes mention, discussion, and/or portrayal of enslavement, physical restraint, scars, discrimination, bigotry, racism, colorism, murder, infertility, alcohol consumption, drug use as a coping mechanism, war, gun violence, injury, broken bones, drowning, explosions, torture, funerals, death, grave robbing, miscarriage, and crossdressing as a disguise.
The second book in the series, The Undertakers, is due out in November of 2021, but it can be read as a standalone if series aren’t your thing.
They call him Ruslan, the last human. Rescued from Seraboth by the Myssari, he does not remember his real name. Humanity all but destroyed itself due to violence. The once far-reaching human empire of many worlds eventually succumbed to the Aura Malignance, a contagious infection caused by a biological weapon that was developed by humans, which killed only humans and could not be stopped.
Ruslan has been kept alive by the Myssari for many years as a highly valued and well respected, last human specimen. The Myssari are more honest, kind, friendly, trustworthy and less violent than humans. Ruslan respects those qualities and appreciates their care. Still, he does not control his own destiny. The Myssari wish to preserve the record of human civilization and restore the species while he thinks it is a waste of time and resources. Ruslan believes that humans deserved their fate. He views humans as opportunistic exploiters of just about anything. The Myssari offer to search for any other living humans and to try to find the planet Earth. Together, they travel to several different worlds in search of humans and encounter many obstacles, competing species and a variety of unusual outcomes.
Any reader who lasts through Chapter 8 may wonder why the story is so long and drawn out and may be tempted to quit there. But it gets more interesting fairly quickly. The characters are well developed and this is a good story that has a surprise ending. Relic could be adapted as a very interesting movie.
Comics are a medium, one that comes in an many formats. Below is a short guide to the rich variety of these publications.
Album – European comics with larger page size and higher number of pages than comics in the U.S. See Pamphlet
Anime – Animation, for TV or the movies, made in Japan, and for the Japanese market. For more info, see our Manga and Anime FAQ
Animation– A form of film using drawings (and sometimes other techniques) to create the illusion of motion
Asian Comics– Comics are called manga in Japan, manhwa in Korea, or manhua in China. For more info, see our Manga and Anime FAQ
Audio Comics – A form of audio narrative that is structured like a comic when created. Important elements such as action and setting are explained in detail. Sound cues are used to indicate shifts from panel to panel. For people who are not blind, it sounds something like an old-time radio serial
Bande Dessinée (or BD) – French term for Comic Books. They are usually published in the Album format
Bluesies – See Tijuana Bible
Caricature – a drawing style that exaggerates features, particularly of the face, to portray individuals in an easily recognizable manner. Often used in editorial Cartoons
Cartoons (when not animated) – Typically, these are single panel comics of an editorial nature
Chick Tracts – Short Pamphlet with Evangelical Christian themes. This type of comic gained its name from the most prolific publisher of the form, Jack Chick
Comic Art– A form of Sequential Art
Comic Books (or Comics) – The most generally used name for individual issues of comic art; often they are Soft-bound(Comics). See Pamphlet
Comics Strips – Short pieces of comic art to be published in a periodical (such as a newspaper or magazine), most often to be read horizontally
Comics with hand-sewn spines – Comics assembled like a scrapbook
Comics with tête-bêche binding– A rare format for comics wherein two different comics are bound together back to back, each reversed from the other so they share the same spine. Tête-bêche is French for, roughly translated, “head to tail.” These works are sometimes called double books or reversible books
Crossover – The placement of two or more otherwise discrete fictional characters, settings, or universes into the context of a single story. They can arise from legal agreements between the relevant copyright holders, or because of unauthorized efforts by fans. Most of these comics are not part of the canon of any of the original works
Digest-sized (Comics) – Comics which are roughly the size of paperback books
Digital Comics– Comics that are released digitally. They may be Motion Comics or Webcomics
Film Comics – Sometimes known as Cine-Manga or Ani-Manga. Manga works which use illustrations directly found in an Anime rather than original art, and which utilize dialog from that anime
Flipbooks – Comics where each page’s art varies slightly and when flipped creates the illusion of motion
Floppies – See Soft-bound (Comics)
Foldable Comics– Comics that are shaped in some manner (like a work of origami) and are to be read as the shape is unfolded
Fumetti – Italian term for comic books as a whole. Some use this term to designate a specific format using photographs and word balloons (which was very popular in Italy during the 1940’s and 1950’s). In the English speaking world, this specific format is known as the Photonovel
Graphic Adaptations – These are works that use a story from another medium (poetry, movies, or novels are most common) but translate them into a comic format. They may also be called Tie-Ins with relation to a particular current popular work (where they act primarily as advertising for that work)
Graphic Novels – In the purest form, a stand-alone comic of book length with a clear beginning, middle, and end to its story. However, the term is often used interchangeably with Trade Paperback
Hard-bound (Comics) – Publications with a stiff cover (like a book or graphic novel)
Hybrid Comics– Printed comics that are read in tandem with digital content
Illustrated Book – A book with words and pictures but where the story is coherent without the pictures. Contrast with Wordless Comics
Infinite Canvas – A format for comics on a computer wherein the monitor does not replicate the printed page. The screen is seen as a window to a story told in any direction, theoretically ever-expanding. Hyperlinking and touch options may add interactive elements to works
Light Novel – A Japanese publishing format of short stories, liberally interspersed with manga illustrations. Typically, the story is about what would be classified as a novella in the U.S.
Magazines– Serial pamphlets of a larger size than the average comic book in the U.S., often printed on higher quality paper. See Pamphlet
Manga – Comics made in Japan for the Japanese market. In Japan, titles are published first in magazine format as part of a larger anthology. If successful, an individual manga will be reprinted in a collected edition. There are many genres of manga, catering to a wide variety of audiences. For more info, see our Manga and Anime FAQ
Metacomic – In brief, a metacomic is a comic about a comic. The characters are able to take advantage of the comic’s structure to progress in the storyline. Or – if the characters remain unaware of their fictional status, the story itself comments on those structures, conventions of genre, or fan expectations
Mini-comics– Comics which are not professionally published, often having an unusual size. See Zines
Motion Comics –Digital Comics that combine motion, sound, or interactive elements with pictures and words to tell a story. Some feel that Motion Comics are really just a kind of Animation
Pamphlet – A complete publication of generally less than 80 pages stitched or stapled together and usually having a paper cover. There is no particular size requirement, thus Albums or Comic Books or Magazines fit the category of pamphlet if they are not Hard-bound
Phonebook (Comics) – A term for a certain type of collection of previously published comics that is printed on pulp paper and is very thick (like old-fashioned phonebooks). The style was made popular in the 1980’s by Dave Sim when he collected story arcs of his comic, Cerebus
Photonovels – Comics which use photographs rather than drawings. See Fumetti
Picture Book – A book where words and pictures are used to tell a story but where the pictures are of equal value (or are more dominant) in doing so. Most often picture books are for children
Poetry Comics – Comics that use poetic structure rather than the more typical prose style. The term may also be used for Graphic Adaptations of poetic works
Sequential Art – A term defined by Will Eisner as, “an art form that uses images deployed in sequence for graphic storytelling or to convey information”
Soft-bound (Comics) – Single issues of comics with a floppy spine, often stapled in the middle. They are also sometimes called Floppies
Square-bound (Comics) – Publications printed on flexible cardstock that are bound on the side like a book. Known in the publishing industry as a Trade Paperback
Tankōbon– A Japanese term for a book length, stand-alone comic (similar to how Trade Paperback or Graphic Novel are used in English)
Tebeos– Spanish-language term for comic books. In Spain the term is more specific, used to denote a magazine that contains comics
Tie-Ins– See Graphic Adaptations
Tijuana Bible – Sometimes known as Bluesies. Small-sized pornographic comics, often parodies of mainstream comics, that were published from the 1930’s to the 1950’s
Topper – A smaller comic that runs across and/or around the borders of another comic. This was once a popular technique used in comic strips when the size of comic strips and the space allotted to them in the newspaper was much larger than today
Trade Paperback – A book of previously published issues that originally appeared as individual comics. In common parlance, this is often referred to as a Graphic Novel
Treasury-sized (Comics) – Oversized comic books, approximately the size of an unfolded newspaper page
Typography Comics – Comics which play on the graphic element of words to tell a story. They often have pictures to accompany the words
Webcomics– Comics created for and published on the Internet. They may be limited to what is immediately on the screen, hyperlinked to other information, or use the Infinite Canvas format
Webtoons – A style of Digital Comics that originated in South Korea which takes advantage of the Infinite Canvas and which may include animated or audio elements. They are designed to be best consumed on a phone or tablet
Wordless Comics – Stories told using only pictures. Contrast with Illustrated Book
Zines– D.I.Y. Magazines that combine any number of art styles, particularly self-created comics
The hero of the first sequence of poems is the enslaved Stephen Bishop, the early explorer and cartographer of Mammoth Cave. A trusted guide, indeed the master of an underground world, his skill meant he was relied upon completely by educated, wealthy, powerful, white men and women who visited the Cave in its early years as a tourist attraction, yet Bishop was always aware of his station as property of another. The imagined voice McCombs summons in these beautiful, quietly musical, unrhymed sonnets allows us to appreciate the man as more than what was recognized in his own time. Here he is philosopher and naturalist, observer, entertainer, lover…a complete human denied that recognition of his humanity during his lifetime, his voice unheard by the world that benefited from his talents. The credit for his exploits and his fame was co-opted by his master, the Doctor.
In the second and third cycle, McCombs pivots to verse inspired by his own life, including his own time spent as a ranger at Mammoth Cave. No less lyrical, these poems are deeply rooted in the importance of place. The natural beauty of the Commonwealth pours from the pages and invites city-dwellers, confined by routine, a pandemic, and winter storms to plan our own small explorations.