As a teenager, I was afraid of him. Then in my 20’s/college years, I was leery of the fandom surrounding the whole Gonzo ego bit. Then, when I was in my early 40’s, he blew his brains out. I could now trust him. I read most of his books and the bios too. Eventually, I could do Gonzo as good as Johnny Depp.
And then in my mid-40s, other people burned me out on him. No one around me could understand the greatness or complexity of this man. They only told me about his flaws. There were many. So when this book came out five years ago, I passed on it. I wasn’t ready. Recently, I saw a clip of Hunter criticizing Jann Wenner that was so honest and brutal, yet caring, and I knew no one living could talk like that. So I am ready.
I am the same age as Hunter’s son, Juan. I had a very close, but at times difficult, relationship with my dad. He was a tough guy who worked manual labor and fought in two wars. But, he was nothing like Hunter. I suspected Hunter would be someone to avoid at all costs, because he was mean, angry and always boozed up or high on cocaine and other drugs. And my instincts were right. In my 20’s, I read his second (and most famous) book, Fear and Loathing in Las Vegas, and didn’t get it. On the first page I missed his use (maybe?) of hyperbole when he listed his drugs for the trip. I thought no one could use all that weird mix of drugs, and why would they want to? Obviously, I didn’t KNOW Hunter.
So after he died, I read his first book, Hell’s Angels, and loved it. In the beginning he quotes heavily from Nelson Algren’sWalk on the Wild Side, a favorite of mine. Toward the end he gets into his Gonzo style serendipitously in order to meet a deadline. So I reread Fear and Loathing in Las Vegas, got its Mark Twain humor, and realized that Hunter had written a perfect, unique book. When I have insomnia and know that I won’t sleep, instead of fighting it, I read Vegas in its entirety. It is so funny.
This book? Wow, there is so much. Hunter was an absent dad, off chasing fame, drugs, adventure, and other women. So that led to a broken marriage, then divorce, fights, then more madness. A megalomaniac with drug abuse and a large collection of fire arms is not a good combination. But he could write like no one else from the mid 60’s until his habits caught up with him by the Reagan era. He still wrote until the end, and there were flashes of brilliance at times, but he wasted himself and his talent by the 80’s.
Juan states from the start that this book is a memoir and it is. Thus, we learn about his life and the way Hunter interacted in it. There were angry hurtful times but by the end there was forgiveness and growth, and even love. Much like my own father and I, Juan and Hunter were poles apart. But there were things that they both loved, such as guns. But even with that common interest they were very different, Hunter being the irresponsible one. He even accidently shot one of his many female assistants.
And eventually, Hunter’s vices caught up with his body too. I didn’t know specifics of this and his suicide on February 20, 2005 at age 67, but I had always wondered. Juan has an entire chapter titled “The Last Day.” Hunter had planned this suicide and wanted all of his immediate family there. He had been through two brutal operations which he had to face the problem of being an alcoholic in a hospital. So like one of his top heroes, Ernest Hemingway, Hunter shot himself at home. His body and mind had given out and he lacked the will to fight it any longer.
There is also a long section about Hunter’s return to Louisville for a celebration of him put on by Ron Whitehead in 1996 that included Johnny Depp, Warren Zevon, and Douglas Brinkley. It was a wild ruckus, and I don’t regret making the choice to not attend.
Sure, Hunter was a wild, out of control, drug addled freak. But I don’t need my literary heroes to be saints. His first three books are as good as any writer’s top three books. And they are all different from each other. So forgot the image, and read this book to see how complex a man he was. Then go read his stuff from 1967-1979.
If you have anxiety or depression or just want a little extra comfort in your life, read The Comfort Book by Matt Haig. This book does not need to be read in order. This book is full of stand alone affirmations to lift you up. Haig includes a list of music that brings him comfort among essays and personal antidotes of his mental health journey.
It’s impossible not to smile while reading Little Moments of Love by Catana Chetwynd. Chetwynd has perfected a collection of comics about the sweet moments in relationships. If you want to read about the snuggly parts of romance than this book is for you. You might just want to find your coziest spot and settle in before you begin.
A young boy meets three friends in this short graphic novel, The Boy, the Mole, the Fox and the Horse by Charlie Mackesy. In this quiet and thoughtful book the four friends traverse through the wilderness all the while sharing their hopes and disappointments. Hopefully when you finish this short story you will feel loved and encouraged and optimistic about the world.
When your dreams seem impossible and you are feeling tired and beaten down, pick up For Every Oneby Jason Reynolds. In this short poem, Reynolds will encourage you to continue on through all the adversary. In this short poem we are reminded of our own strength and the power to persevere.
This is my ultimate favorite read for the entirety of 2021. And a lot of great books debuted in 2021.
The Final Girl Support Group explores a world in which the events in our most famous slasher films really took place before being optioned for media production. The survivors of several bloody massacres – the titular “final girls”, per the movie trope of one lone girl surviving a horror story – are left to find their way in a world where everyone knows what they lived through, and though many consider them a strange kind of celebrity, others would just as soon see their killers finish them off. Some of these girls, now women, have managed to capitalize on their fame and dictate the terms of their own lives years after the slaughters they all lived through, owning their strength. Others are barely hanging on, destructive coping mechanisms and constant fear haunting their every step.
Lynnette Tarkington is in the latter group. She lives like a ghost, as off-the-grid as possible, her apartment transformed into a panic room and with only two personal attachments: her houseplant Fine – short for “Final Plant” – and a ragtag therapy group made up of other final girls and the psychiatrist who assembled them all, Dr. Carol. The members are fierce and bitter survivors as likely to devolve into low-blow verbal warfare as to help each other actually heal. They’re in no shape to band together when the heart of their group, Adrienne King, is suddenly found murdered. Like falling dominos, outside threats in the form of leaked secrets, misinformation, and physical attacks begin to target each member of the group at once, stalking and isolating them. Lynnette finds herself fighting to survive once more as she is left to untangle the web of a psychotic mastermind, with few resources and fading credibility in the eyes of the public and the other final girls. Every contingency plan she’s made may not be enough to save her from a bloody fate this time.
Grady Hendrix’s stories are unique, twisted, highly energetic works anchored by characters who have what two-dimensional horror flick protagonists typically lack: emotional depth that grips the reader and renders them unable to put down the books and abandon the characters, because the only thing scarier than what’s stalking them in the dark is the thought of not knowing how it all ends. Within a week of finishing this book I was lucky enough to get my hands on and finish all of his other novels, and I’m now a diehard fan. I don’t normally go in for horror novels and can’t watch scary movies at all, but the premise of The Final Girl Support Group was just self-aware and campy enough that it seriously intrigued me. I won’t lie, there were moments and a handful of scenes throughout that I did find disturbing and scary (so horror-intolerants, beware…) because Hendrix is very good at his genre. But in the end the plot had the addictive elements of a fast-paced thriller and hooked me so hard I had to see it through. In my opinion sleeping with the hallway lights on for a couple of nights was more than worth an incredible story.
I knew that if Hendrix was really faithful to major horror tropes, certain character archetypes nodded to in the story (the single Black character in a group, the one gay character, the prima donna, the jock, the junkie, etc.) were likely doomed to meet a bad and/or gratuitous end, and to some extent he does play off some of those clichés. But he also uses each character’s varied circumstances to explore different themes about death so that for the characters who are killed, it’s the start of their conversation in several ways, not the end, because he puts in the work to flesh out each and every one far beyond the two-dimensional cardboard cut-outs slasher flicks often reduce characters to. When someone dies, in what ways do they live on? Is the strength of one’s legacy enough to triumph over death from beyond the grave? Which is preferable, a sudden, violent death or a slow and wasting one at the natural end of a life, and is there really a difference in the level of horror each invokes?
I wouldn’t host one book discussion group about this novel: I’d have to host a series of them to have enough time to discuss the nuances Hendrix gets down to his elbows in, even places where he could just as easily have left details unexplored or played them off as a gimmick. But this author is an artist when it comes to literary examination of the human experience: it would be obvious in any genre he chose as his canvas, but in my opinion we’re lucky he happens to prefer such a clever and fun one.
Speaking of which, and without revealing any spoilers, I’d be remiss if I didn’t mention my favorite character in the entire thing, Dani. It’s rare as a queer reader that I encounter portrayals of butch women at all, let alone one that grabbed my heart like Dani, a member of the group who survived a Friday the 13th-style gauntlet of attacks and is just as much, if not more, of a badass as Lynnette. Lynnette mentions in her analysis of Dani that she already knew she was a lesbian when she experienced her attacks, and in a world that often judges LGBTQIA+ kids as inherently sexual and therefore no longer an innocent child, within a genre where only “innocent” girls who follow the rules and remain “pure” in contrast to their peers’ social behaviors tend to survive to the end of the story, I appreciated that little slice of acknowledgement of queer teens’ worth. The novel doesn’t spare Dani’s trauma: it explores every character’s nuances as their pasts are dug up and used to torment them one by one. But it also gives us a glimpse into this fascinating queer character who we see secondhand through Lynnette as a protector of her friends, a relentless warrior, and a clever and wise soul who loves so hard it nearly consumes her. I’ll be honest, I definitely have a crush on this character.
In my opinion, Lynnette is the perfect narrator for this kind of emotionally driven story – if any of the other “final girls” had been the focus, it would have been a very different story of a few days’ events, likely with a radically different conclusion. Lynnette’s decisions are all informed by fear, and from a first-person POV a reader can’t help but get excited and anxious along with her (which may make this book off-putting to readers who don’t like to get sucked into emotion that intense). Lynnette’s adrenaline is always kicked into high gear, focused on survival at every moment. She feels everything acutely, not just panic and suspicion but affection that borders on codependency; grief that almost swallows her up in despair; curiosity that nearly – literally – kills; and anger that powers her through moments where others might succumb.
The same excessive survival instincts that protect Lynnette also blind her in certain ways: readers may pick up on several details she misses, who she should or shouldn’t trust and even whether she’s chasing red herrings at times. Lynnette is incapable of pausing to examine situations without some level of bias (possibly a nod from the author to ways in which it’s been proven that PTSD, intense anxiety and other stressors can impact one’s brain over lengthy periods of time.) It personally pulled me into the mental space of watching a slasher movie, yelling at the characters on the screen (as if they can hear you) not to go into a dark basement, or to watch out behind them for a hidden killer, which in context of this genre was artfully done.
A breakout star in horror, Hendrix has already had several of his most popular works optioned for television with star-studded production teams. I was thrilled to learn that Charlize Theron will be an executive producer on The Final Girl Support GroupTV series, since her portfolio of roles featuring battle-hardened women who have lived through various traumas and bashed their way out the other side had me picturing her as Lynnette in my mind throughout the book. Theron will bring a valuable perspective to the project and help it to fully realize its potential, having been inside the minds of multiple characters who could be profiled alongside this book’s blood-soaked heroines. I highly recommend plowing through as many of Hendrix’s novels as possible before the TV content starts dropping, because it’s all going to be extremely worth it to skip the library waiting list when every horror-tolerant person you know starts devouring this and Hendrix’s other works. I personally am glad to have found this powerful book now, both for the experience of a deeply impactful story…and so that when I sit down to watch the series through my fingers, I know exactly where to close my eyes.
The Final Girl Support Group falls in a niche where not every horror fan may find it terrifying enough to suit them and not every reader of tongue-in-cheek genre parody will find it cerebral or humorous enough. I’m personally unfamiliar with many other works that bring emotion and wit to horror the way this one does, except Stephen Graham Jones’ My Heart Is a Chainsaw – another clever, self-aware horror novel from this past summer – and of course Grady Hendrix’s other works. I would certainly recommend The Final Girl Support Group to fans of Charlize Theron films like The Old Guard and Mad Max: Fury Road where warrior women have marked character growth and autonomy amid a backdrop of over the top action and violence. If you enjoyed shows like Buffy the Vampire Slayer and aren’t put off by slasher movie-level gore, or films such as the Alien franchise (but with the ability to laugh at their own genre), I highly recommend making this your first 2022 read.
Huma Abedin is one of those people you’ve seen in the public eye for years, but know next to nothing about. She is best known for two things, being Hillary Clinton’s long-term personal assistant, and for being married to the scandal plagued Anthony Weiner. Her autobiography goes in depth about both of these, but also about her childhood and faith.
Abedin is a Muslim, and her faith has deep meaning for her. Abedin tells how the women of her family sought education beyond what was expected of girls — starting with her grandmother. Abedin also paints a vivid picture of her warm and charming father, who died far too young, and how the family struggled silently with the emotional pain of that loss.
We see how Abedin began to work for Hillary Clinton in what staffers called “Hillaryland,” a supportive workplace where staffers were encouraged to become leaders themselves.
Abedin also writes of how she met Anthony Weiner, and how his charm and humor swept her off her feet. She then relates how her marriage went wrong, and her pain at his deeply personal betrayals and the public humiliation from that.
A Psalm for the Wild-Built is a wholesome book about the friendship between a robot named Moss and a non-binary monk travelling the world, serving people tea, and listening to their problems in their journey to discover what it is that people need on the most basic level. Of course, there is some really interesting world-building that sets up the protagonists’ current situation, a history that includes robots becoming aware of their slave-like conditions, revolting, and disappearing into the wilderness, and lore surrounding the society that they created. My favorite of which is the tidbit that the robot’s name is Moss because moss was the first thing the robot saw when it woke up!
This is a perfect short read for those looking for an escape from a world where everything seems to be going wrong into a world where things went wrong, in the past, but in the current moment characters are allowed to explore themselves and their world peacefully. Although the subgenre of “cozy mysteries” is well-established, I can’t say there is an equivalent in the science fiction genre – that is, aside from any book written by Becky Chambers. A Psalm for the Wild-Built is simply Chambers’ most recent. I *still* think it would be my favorite even if it wasn’t the most recent book of hers, though! I even bought a hard copy of it for my personal collection when I finished it! I’m hopeful that Chambers’ books are the beginning of a larger pattern within the genre of comforting books that are somehow still exciting, that explore our world and philosophy in ways that enable escapism without increasing the reader’s heart rate too much.
And there are more adventures of Moss and Sibling Dex (the monk!) coming out in July of 2022, according to the rumors on the internet (by which I mean this incomplete Goodreads page).
Breathe is a YA novel but after the first chapter or two reads more like an adult historical novel. It takes place during WWI but it is mostly focused on the United States and the 1918 flu pandemic. Virginia is the daughter of a doctor and aspires to be a doctor herself. She is from a wealthy family in Philadelphia.
Her mother would prefer she do the traditional thing and marry someone of her social class. Virginia falls for Marco, the family’s driver. Marco is also her father’s medical assistant, who aspires to go to college and become a surgeon. Marco is the son of Italian immigrants.
Medical issues of patients are explained in vivid detail. This aspect may be too intense for squeamish readers. Class and ethnic prejudices of the period plays a part in the novel. Fujimura shows this without making it heavy handed.
Breathe also touches on the Suffrage movement. Virginia’s rebellious older sister, Kit, is involved with that movement. Gender role limitations of the time are explored, including a well-done plot twist with Kit and Virginia’s mother. I was drawn to the novel, because I find that period fascinating. As my high school history teacher said, “the modern world was created by WWI”.
At the end of the novel, I found myself wishing for a sequel, wanting to know how their lives turned out twenty or thirty years from then. Strongly recommended.
A reimagining of the Book of Exodus, told from an African-American perspective.
Hurston, having travelled the American South and the Caribbean as an anthropologist, uses the knowledge gained by those experiences to recast the Book of Exodus from a black American perspective. Moses, long a hero of black folklore and song is now the black hero of the Exodus story, the emancipator of slaves. The plagues, the signs, the mighty works are fruits of his righteousness but also his knowledge of hoodoo. And freeing the slaves was just the first of his tasks, for he then has to form them into a new nation, give them a new identity, and free them from a slave mindset.
Beyond providing a deeper understanding of Exodus, Hurston challenges the reader to examine their own role in society. For if the Hebrews are to be associated with the black American slaves, then white Americans, largely Christian and so used to identifying with the Hebrews themselves, must realize they have more in common with the Egyptians. Moreover, the book was published in 1939 amidst Jewish persecution in Europe, drawing an obvious parallel between Pharoah and Hitler.
Hoopla is consistently adding new music to their database and they make it very easy to find their newest additions through their Just Added collection. Miraculously, they update their catalog so frequently that I can hardly keep up with the content. The variety is also impressive, sharing some of contemporary music’s most beloved artists like Diana Ross or Rod Stewart and some more obscure titles that even Spotify doesn’t offer, like this neat Latin Pop outfit I discovered here called SuSu.
I was pleasantly surprised to find that Hoopla had recently added almost everything from Meshuggah’s 30 + year career. Which is not only incredible because the music is some of the most well regarded for its style of Metal, but also because this music can be hard to find, despite its significant impact in the Metal scene. As an avid record collector, I’ve only come across Meshuggah material a couple of times out in the wild, and its usually expensive. Thus, LFPL’s CD collection does not offer any Meshuggah material for circulation, so Hoopla is the only place that our patrons can access Meshuggah music through our catalog!
Meshuggah tends to exist in their own little bubble amidst the Metal scene. They are one of the few Metal bands that can both be categorized as “Extreme Metal” or “Technical Metal” and still appeal to the pickiest of Metal snobs as well as general Rock music fans. They are known for pioneering and perfecting their style of groovy and complex Metal and continuously producing some of the best additions to this subgenre. There is a lot of debate about what exactly to label Meshuggah as, but the Rock and Metal worlds have landed on using the term “Djent” to describe their sound. “Djent”, resembling the guitar tones that are present in many of these songs, is used to express complex rhythmic structures accompanied by very angular, aggressive, compressed, and groovy guitar riffs. Some people bicker about the legitimacy of using the word “Djent” to describe this music, but if we are to assume this to be a part of the Metal subgenre lexicon, Meshuggah are the disciples of Djent, for better or for worse. So much so, that many other bands with similar intentions get written off as “Meshuggah rip-offs”, even with so many bands influenced by this approach. Bands like Car Bomb or Frontierer come to mind, but I like these bands as well.
Hoopla’s selection starts with their 1995 album, Destroy Erase Improve, and moves all the way through to their 2016 album, The Violent Sleep of Reason, for a total of 9 full length albums, a live album, and a compilation of Rare Trax. I’d try out one of their older releases like Chaosphere to grasp the 90’s energy in the more brittle production and also to recognize their development for a later release. Their early stuff is raw and sounds more like a device for shredding junk cars than their later material. I’d might try Koloss for something from the last decade with much more even production value and a hypnotic aura. Imagine a meditation soundtrack for the Metal Gods themselves. I think my favorite is still Catch Thirtythree, as this one weaves the entire album into a single track and has a slow burn that erupts by the end. Though, there isn’t a bad choice in the catalog and I’d recommend them all in no particular order
If you had to check out ONE thing from the band, watch the music video for New Millennium Cyanide Christ. If this doesn’t sell you on the band, I’m not sure what will. A classically hilarious portrayal of the band playing this song on their tour bus, but entirely with air instruments. A band with such a heavy and complicated sound that also knows how to not take themselves too seriously is so refreshing in the Metal scene.
Here is a link to everything that Hoopla offers in the Meshuggah collection, and here is a link to Hoopla’s collection of Hard Rock/Metal. Enjoy!
Welcome back to Katherine’s Bookshelf. This one’s fairly straightforward. It’s a cookbook of candy recipes for various holidays. Now, you might think that this half-century old candy book is just as obsolete as math tables for slide rules, but no. Just as trigonometry is still a thing, people still like candy. What makes it special is that this book doesn’t require or even assume the use of specialized equipment. No candy thermometers required. In fact, lots of the recipes don’t even mention a temperature. You’re making fudge from scratch, and you’re on your own.
Nothing but your own prior knowledge, experience, and reading comprehension skill stands between you and a ruined sauce pan. It’s a fine line between delicious candy and carbonized cement, and this book expects you to already know where the line lies.
It’s extremely intimidating. This is not a beginner book. The recipes for candy are like written instructions for performing a triple axel – it assumes you know how to skate. If, however, you already know a thing or two about the chemical and material properties of molten sugar, and you somehow don’t have a candy thermometer, or you want to see how people made candy without them, this is the book for you.
If you find this daunting, there are plenty of fine candy cookbooks at the library, and even some candy histories. Virginia Pasley’s Holiday Candy Cookbook isn’t in our collection, nor would it be. Although the candy is still good sixty years after its publication, the recipes are scary. Maybe someday I’ll get up the courage to brave stirring a pot of sugary napalm for the sake of some fudge. But not anytime soon, probably.
The Guncle by Steven Rowley was a book I picked up because of the title and back cover blurb. Titular character Patrick or Gup (“Gay Uncle Patrick” for short) finds himself the temporary guardian of his niece and nephew after they lose their mother. What follows is an adventure as the three of them tackle their new normal and Patrick tries to figure out parenthood. This book will have you laughing and crying along with Maisie, Grant, and Patrick.
I listened to the audiobook which is read by the author and only adds to the book as you are hearing the words the way the author wanted them to be heard. We get to hear Maisie’s developing attitude and Grant’s lisp, as well as Patrick’s changing tone and nuances. I kept finding reasons to listen to the audiobook because I wanted to know what was going to happen next.
I especially wanted to know how Maisie and Grant – at eight and six – were handling losing their mom because at twenty-eight and nineteen my sister and I were a mess when it happened to us. Like Maisie and Grant, we also had a Guncle, who despite his own doubts and grief stepped in to help, making the book personal. I think The Guncle wrapped up nicely but still leaves room for a sequel or even a companion novel.
I highly recommend the audio version but if you don’t like audiobooks I do recommend reading the book. There’s something for everyone in The Guncle and now I’m going to dive into Rowley’s backlist.