Hoopla is consistently adding new music to their database and they make it very easy to find their newest additions through their Just Added collection. Miraculously, they update their catalog so frequently that I can hardly keep up with the content. The variety is also impressive, sharing some of contemporary music’s most beloved artists like Diana Ross or Rod Stewart and some more obscure titles that even Spotify doesn’t offer, like this neat Latin Pop outfit I discovered here called SuSu.
I was pleasantly surprised to find that Hoopla had recently added almost everything from Meshuggah’s 30 + year career. Which is not only incredible because the music is some of the most well regarded for its style of Metal, but also because this music can be hard to find, despite its significant impact in the Metal scene. As an avid record collector, I’ve only come across Meshuggah material a couple of times out in the wild, and its usually expensive. Thus, LFPL’s CD collection does not offer any Meshuggah material for circulation, so Hoopla is the only place that our patrons can access Meshuggah music through our catalog!
Meshuggah tends to exist in their own little bubble amidst the Metal scene. They are one of the few Metal bands that can both be categorized as “Extreme Metal” or “Technical Metal” and still appeal to the pickiest of Metal snobs as well as general Rock music fans. They are known for pioneering and perfecting their style of groovy and complex Metal and continuously producing some of the best additions to this subgenre. There is a lot of debate about what exactly to label Meshuggah as, but the Rock and Metal worlds have landed on using the term “Djent” to describe their sound. “Djent”, resembling the guitar tones that are present in many of these songs, is used to express complex rhythmic structures accompanied by very angular, aggressive, compressed, and groovy guitar riffs. Some people bicker about the legitimacy of using the word “Djent” to describe this music, but if we are to assume this to be a part of the Metal subgenre lexicon, Meshuggah are the disciples of Djent, for better or for worse. So much so, that many other bands with similar intentions get written off as “Meshuggah rip-offs”, even with so many bands influenced by this approach. Bands like Car Bomb or Frontierer come to mind, but I like these bands as well.
Hoopla’s selection starts with their 1995 album, Destroy Erase Improve, and moves all the way through to their 2016 album, The Violent Sleep of Reason, for a total of 9 full length albums, a live album, and a compilation of Rare Trax. I’d try out one of their older releases like Chaosphere to grasp the 90’s energy in the more brittle production and also to recognize their development for a later release. Their early stuff is raw and sounds more like a device for shredding junk cars than their later material. I’d might try Koloss for something from the last decade with much more even production value and a hypnotic aura. Imagine a meditation soundtrack for the Metal Gods themselves. I think my favorite is still Catch Thirtythree, as this one weaves the entire album into a single track and has a slow burn that erupts by the end. Though, there isn’t a bad choice in the catalog and I’d recommend them all in no particular order
If you had to check out ONE thing from the band, watch the music video for New Millennium Cyanide Christ. If this doesn’t sell you on the band, I’m not sure what will. A classically hilarious portrayal of the band playing this song on their tour bus, but entirely with air instruments. A band with such a heavy and complicated sound that also knows how to not take themselves too seriously is so refreshing in the Metal scene.
— Reviewed by Noah, Bon Air