Tag Archives: Comics

Femme Magnifique: A Comic Anthology Salute to 50 Magnificent Women Who Changed the World

This is the original cover from the Black Crown Kickstarter edition. Black Crown, overseen by Shelly Bond, is a former imprint of IDW that ended in 2019. Shelly Bond was an executive-editor and the VP of Vertigo Comics before starting the imprint.

In 2018, IDW published this amazing anthology of graphic stories that is perfect for anyone interested in the impact that women have had on modern society. Artists, astronauts, inventors, martial arts experts, musicians, politicians, skateboarders, writers, and more are all featured. They’ve claimed their own power and utterly changed the course of history.

The talent pool on this work is deep. Talents like Gail SimoneKelly Sue DeConnickMarguerite Bennett, Lucy Knisley, Ming Doyle, Bill SienkiewiczKieron GillenGilbert HernandezGerard Way, and Mike Carey (just to name a few) have crafted short narratives with love toward each and every profiled subject. There are so many individual subjects and so many different writers and artists that anyone with a genuine interest can find multiple stories to enjoy.

A potential criticism is that while the authors, writers, letters, colorists, and editorial team are very diverse in background, the anthology can be said to be light on women of color. Another criticism is that many stories do not get to breathe due the constraint of each having only three pages for the telling. Lastly, a good number of the stories are really more about the influence of the subject on the writer than a biographical sketch.

I don’t think that any of these are crippling criticisms. The anthology is not one geared to focus on any particular racial or ethnic group as a whole, though approximately a quarter of the vignettes feature minorities. Three pages is quite short but probably helped the writers with their scheduling time constraints, as well as allowing for more subjects to be included. And while biographies would have been more expected, the mix of approaches keeps the anthology from feeling like a text book, making it more engaging overall.

Lurking below the surface are somewhat related criticisms that I have not immediately addressed. Femme Magnifique is, to some folks, damaged by being an avowedly feminist work. And as feminism is a philosophy or political stance that many strongly disagree with on principle, they claim it will not only turn away readers for this work but many other projects (either by the creators or by the publisher).

Then there are others who just disagree on aesthetic grounds. They believe that having a clear politics inherently ruins it because good storytelling is sacrificed to communicate that stance. I think the hidden message is that stories are somehow separate from the world itself and should stay that way.

I’ll take the last one first, the aesthetic argument. It is true, directly communicated politics can ruin a story. Everyone has probably read some kind of work that wore its heart on its sleeve and bored them to tears, but I don’t think it’s necessarily always so. As to the hidden message, that fails to be other than the fervent wish of the aesthete because stories can only exist in the real world, coming and going based on both cultural reasons and on, particularly these days, marketing.

For example, Star Wars is clearly a political tale of a full-blown rebellion of the masses yearning for freedom from the oppressive yoke of an authoritarian empire (one so cruel that it literally creates a way to destroy whole planets at a time to retain its control). But it’s a rousing tale (especially if we skip certain Episodes) that resonates with many. And it is a gazillion dollar real world business that is (seemingly) guaranteed to survive forever.

Criticism of the anthology based on it being feminist is trickier to handle because the label itself can be many different things depending on who you ask. First one has to figure out what the person objecting to it really means. If they just don’t like women, for instance, then why are they reading a 224 page tome of nothing but stories about women? But what if they believe that the movement of women out of the home into the public sphere and out of the secretarial pool into the chambers of power is detrimental to eudaimonia? Further, that failed eudaimonia of an individual is injurious to society as a whole?

Geez, who wants to spend time unpacking that stack of nesting boxes?

But no fear, true believers (and hardcore atheists alike)! That is not a problem in this work. There are some profiles of politicians but the majority are from the fields of arts and other endeavors. There is no specific set of political goals that can be found throughout the book. If anything, Femme Magnifique is a set of aspirational tales for girls and boys alike.

No thrown together or low quality material here. So, who’s herding all these cats to make a satisfying whole out of the “cat-caphony”? (ha ha) We have to give it to the team of editors (Shelly Bond, Kristy Miller, and Brian Miller), colorists (Claudia Aguirre, Jordie Bellaire, Tamra Bonvillain, Kelly Fitzpatrick, Irma Kniivila, Lee Loughridge, Fabi Marques, Rick Taylor, and Hi-Fi), and sole letterer (Aditya Bidikar). This team took all the individual tales, sequenced them, got them to the finish line, and made them all pop.

Now it’s your turn to pop…on over to the library and pick up this fantastic collection!


Review by Tony, Main Library

Top 10 Graphics of 2019

Here are some of my favorite comics read in 2019. They may or may not have been published this year. Also, a few have more than one volume and I have not designated a particular volume if I would recommend the whole series.

My picks are listed in alphabetical (rather than rank) order.

The American Way by John Ridley and Georges Jeanty

Superheroes working for the government, a government that helps script their battles and other appearances in order to stoke patriotic pride, have been doing this for years. But now it’s the early 1960’s and change is in the air. What the country needs is a new hero, dubbed the New American by his government handlers, but little do they anticipate the chaos he will bring in his wake.

Anthony Bourdain’s Hungry Ghosts by Anthony Bourdain & Joel Rose

The blurb on the cover says it all, “Tales of Fear and Food from Around the World.” Bourdain, Rose, and a host of guest artists gather to bring us Japanese folk-inflected ghost stories, all told on an eerie night at the table of an eccentric nobleman.

The Art of Charlie Chan Hock Chye by Sonny Liew

A deeply-moving meta-narrative about a singular artistic talent from Singapore. The tale begins in the aftermath of World War II and follows the titular artist to his later years in the 1980’s. If you are a lifelong fan of comics, you’ll be astounded by the homages to comic history, and if you are not, it’s still a great look at the life of an artist in his times. History buffs and political nerds will especially enjoy his exposition on the rise of modern Malaysia.

Black Hammer by Jeff Lemire and Dean Ormston

A tale of the other side of some great cosmic event involving superheroes. What happens to these characters if they are whisked away in the blink of an eye? Where do they go? What if it’s to a seemingly perfect example of small-town America and they can’t escape?

Eternity Girl by Magdalene Visaggio and Sonny Liew

Caroline Sharp, spy, and superheroine, finds herself reincarnated as Eternity Girl but all she longs for is meaning in a meaningless world. Or death. Which will she choose? How will it affect the world at large?

Mister Miracle by Tom King and Mitch Gerads

Abused son of a god turned escape artist has to face his greatest trick, escaping death itself. But can he live with himself while he tries? Poignant domestic drama highlights the emotional impact that constant abuse can have on a person, their work, and their family.

Monk!: Thelonious, Pannonica, and the Friendship Behind a Musical Revolution by Youssef Daoudi

The title says it all…but doesn’t tell you how great the art and the pacing are in this tale for die-hard music-lovers and acolytes alike. You will be able to almost hear the music as you turn pages. Better yet, check out some Thelonious Monk from the library so you can listen along!

Petrograd by Philip Gelatt and Tyler Crook

A historical drama centering on the British S.I.S. office in Russia during the First World War. In this tale, the station participates (imagined? real?) in the murder of Rasputin, called the “Mad Monk,” a powerful adviser to Tsarina Alexandra. The art is brisk as befits a spy story.

They Called Us Enemy by George Takei, Justin Eisinger, Steven Scott, and Harmony Becker

A heartbreaking autobiography from George Takei about his family’s experience in the American prison camps of WWII. Thousands of Japanese-Americans and legal immigrants of Japanese descent were torn from their homes and sent far away from their livelihoods and their communities for years. It also looks at how those experiences colored Mr. Takei’s youth and his life-long commitment to civil rights.

Young Frances by Hartley Lin

This is the collected edition of Mr. Lin’s irregularly published indie comic, Pope Hats, issues 1-5. It centers on a brilliant young law clerk with low self-esteem and her wacky, successful actor friend. The art is of the ligne claire style (think Tintin) so there’s no confusion as to how the story unfolds. However, you will be surprised how much emotion can be wrung from such simplicity.

All of these works can be checked out from LFPL. Each title has a “Check Our Catalog” link that will take you to where you can view the location and status of the specific item in our system.

After taking a look, if your selection is not available at the branch you wish to go to, you may have the item shipped there by placing a hold request (using the “Place Request” button on the right-hand side of the item’s catalog entry).


If you are interested in discussing these titles or other works of sequential art, please join LFPL’s Graphic Novel Discussion Group. Meetings are held at the Main Library on the second Monday of every month, starting at 7:00 PM.

The next meeting is Monday, January 13, 2020. In honor of Korean-American Day (held every year on January 13th), we will be taking a look at Korean-American Comic Creators.

For more information, contact Tony at (502) 574-1611.

— Article by Tony, Main Library

Randall Munroe at the Library

WRandall Munroe is the author of the #1 New York Times bestsellers What If? and Thing Explainer:
Complicated Stuff in Simple Words
, the science question-and-answer blog What If, and the popular
web-comic xkcd.

A former NASA roboticist, he left the agency in 2006 to draw comics on the internet full-time.

His new book, How To: Absurd Scientific Advice for Common Real-World Problems (available in
September) is billed as “the world’s most entertaining and useless self-help guide.”

Date: Wednesday, September 18, 7 PM

This program is free, but tickets are requested. Click here to order.

Top Ten Graphics of 2018

Here are some of my favorite comics read in 2018. They may or may not have been published this year. Also, a few have more than one volume and I have not designated a particular volume if I would recommend the whole series.

My picks are listed in alphabetical (rather than rank) order.

4 Kids Walk Into A Bank by Matthew Rosenberg and Tyler Boss

Dig it, Stranger Things meets The Usual Supects! Four misfit kids try to help out one of their number’s father. He is being forced into pulling a bank heist with his recently released former partners in crime. The four plan to pull the heist off first so that he won’t have to do it…and then all hell breaks loose.

 

Anarchy Comics: The Complete Collection, edited by Jay Kinney

Exactly what it says, man…comics about Anarchy! Or rather Anarchism, both historical and speculative. This classic Underground Comix has finally been given the omnibus treatment it deserves.

 

Bat-manga!: The Secret History of Batman in Japan by Juro Kiwata

Best thing ever! The entire run of the 1960’s manga version of Batman, organized by graphic designer extraordinare Chip Kidd. Thrill to these far-out tales, especially as the Caped Crusader faces down the infamous Lord Death Man!

 

Bookhunter by Jason Shiga

Don’t try to steal that book or stiff the library on money you owe or else the intrepid Bookhunters squad will hunt you down! Set in Oakland, CA, in 1973, Shiga’s Library Police take us on a thrill a minute adventure.

 

The Don Rosa Archives, vol. 2: Captain Kentucky by Don Rosa

Meet Lance Pertwillaby as he he gains super-powers and embarks on crazy adventures, such as battling a Godzilla-sized J. Fred Frog threatening to destroy downtown Louisville. This volume collects local cartooning legend Don Rosa’s comic strips which ran in the Louisville Times back in the day.

 

Exit Stage Left: The Snagglepuss Chronicles by Mark Russell and Mike Feehan

It’s 1953 and Snagglepuss is a renowned playwright who gets called before the House Un-American Activities Committee (H.U.A.C.). At the same time, long-term friend Huckleberry Hound has been found in a compromising situation that has ruined the fellow playwright’s career. Snagglepuss’ testimony will help make Huckleberry Hound’s problems go away but will he sacrifice his artistic integrity?

 

Kill or Be Killed by Ed Brubaker and Sean Phillips

Loser tries to kill himself but manages to survive…thanks to a DEMON! All he has to do in exchange is kill one bad person a month.  Or could it be his mental illness manifesting now that he stopped taking his meds? Author Ed Brubaker and artist Sean Phillips once again collaborate, this time on a psychological crime comic. You won’t be able to stop turning pages till the end!

 

Maximum Minimum Wage by Bob Fingerman

Classic Gen-X comic about the struggles of a cartoonist and his hothead girlfriend as they try to get by in New York. Will they find the job of their dreams? Will they even be able to pay rent? 

 

Shaolin Cowboy: Who’ll Stop the Reign? by Geof Darrow and Dave Stewart

One man’s fight to survive the revenge attempts of his undead and supernatural foes. Crazy awesome detailed art from Geof Darrow is worth the price of admission alone!

 

William B. DuBay’s The Rook by William B. Dubay, Budd Lewis, and Luis Bermejo

Restin Dane is the Master of Time. Follow him, his faithful android man-servant Manners, and his cranky outlaw grand-pappy Bishop Dane, as they travel through time battling the forces of evil.

 


 

All of these works can be checked out from LFPL. Each title has a “Check Our Catalog” link that will take you to where you can view the location and status of the specific item in our system.

After taking a look, if your selection is not available at the branch you wish to go to, you may have the item shipped there by placing a hold request (using the “Place Request” button on the right hand side of the item’s catalog entry).

 


 

If you are interested in discussing these titles or other works of sequential art, please join LFPL’s Graphic Novel Discussion Group. Meetings are held at the Main Library on the second Monday of every month, starting at 6:00 PM.

Our next meeting is this upcoming Monday, December 10, 2018. We will be discussing DC’s Aquaman.

 

 

 

 

Digital Comic Books at LFPL

Do you like digital comic books (also known as e-comics)? Or would you like to give them a try but don’t want to have to pay for a subscription?

Well, true believer, LFPL is here for you!

Click on any of the following links to view the Library’s current selections:

Biblioboard‘s offerings are primarily comics of the Golden Age (1938-1954) and biographical works of artists and writers. There are also some interesting public domain works from before the Golden Age.

 

Overdrive‘s collection is primarily composed of modern, up to the minute comics from publishers such as BOOM! Studios, DC Comics, Image Comics, and Top Shelf Productions


RBdigital offers comics from Marvel Comics and IDW Publishing.

LFPL has over 1,200 comics you can browse on your home computer, tablet, or smartphone!

Keep checking in, too, as we continue to expand it’s digital comics collection.


If you are interested in learning how to make comics/graphic novels or other aspects of illustration and graphic design, check out these free classes you can take through Lynda.com.

(242 classes are available!)


To have access to all this great content, all you need is a valid library card number and to know your library card’s password. If you are not sure what your library card number or password are (or need a replacement), please stop by one of the 18 library locations and we’ll get you set up.

Riverdale

When I was a kid my parents played oldies all the time around the house (they both grew up in the 60’s) and we listened to the oldies radio station all the time in the car.  My very favorite was “Sugar, Sugar” by The Archies.  YES, the cartoon band!

I still love this song and as a children’s librarian I use it in storytime all the time to dance with toddlers and babies.  This song introduced me to  Archie Comics which I loved as a child. Yeah, those comics you bought in the grocery store checkout lane and detailed the never ending drama of Betty and Veronica’s competition for Archie.

My love for all things Archie and Betty and Veronica has never died.  So when the new CW show Riverdale started in 2017 I was ECSTATIC.  If you are looking for a blast from the past and also loved Archie as a kid I highly recommend checking out our Archie graphic novels.

You should also check out the show Riverdale, which is so much fun. Oodles of drama and mystery with all the classic characters that you know and love including Archie, Jughead, Betty and Veronica, Cheryl Blossom (my FAV!), Kevin Keller, Midge, Moose and Reggie.  And don’t forget, Josie and the Pussycats!

It’s like my childhood all brought back with a sexy edge and updated storylines.

The Chilling Adventures of Sabrina by Roberto Aguirre-Sacasa

I highly recommend The Chilling Adventures of Sabrina by Roberto Aguirre-Sacasa.

Sabrina the Teenage Witch is getting a new television reboot as well to coincide with Riverdale as Sabrina’s hometown of Greendale is right down the road from Riverdale.  Now just as a warning this isn’t your 90’s Melissa Joan Hart kind of SabrinaThe Chilling Adventures of Sabrina is dark and bloody and fantastic!  If you like dark and bloody kinds of things, that is…

[EDITOR’S NOTE: The Chilling Adventures of Sabrina will be coming to Netflix in September]

Afterlife with Archie by Roberto Aguirre-Sacasa

Afterlife with Archie by Roberto Aguirre-Sacasa is a spooky take on Riverdale as Jughead’s beloved Hot Dog becomes a zombie due to a very ill fated attempt to save his life with the help of Sabrina. Soon the entire town is in the fight of their lives against a zombie horde led by their former friend, Jughead.

Betty and Veronica by Adam Hughes

Betty and Veronica by Adam Hughes is my very favorite of all the Archie graphic novels so far.  Betty and Veronica are America’s sweethearts and best friends.  Until they turn on each other in a battle for Pop’s Chocklit Shoppe!

[EDITOR’S NOTE: Check out The Art of Betty and Veronica for a look at the first 70 years of the duo’s story]

Josie and the Pussycats by Marguerite Bennett

In this series opening Josie gets the band together in her hopes of achieving musical fame but are her ambitions more important than the girls’ friendship?

So many new Riverdale and Archie titles have been coming in and I can’t wait to read them all!

Check out all things Riverdale at LFPL!

Formats Available: Graphic Novel

Review by Heather, St. Matthews

Body Music by Julie Maroh

The Library just received this graphic by Julie Maroh a few days ago and it hasn’t circulated yet. But the cover of Body Music was delicate and pretty at first glance…

…so I picked it up just to flip through it. And I ended up reading it all straight through in one setting. It was that good.

The interior art is less delicate, using fluid yet solid black lines for the characters and softer lines for the background. The coloring ranges from grey to sepia, matching the emotional tone of the vignettes. The human figure is not always proportional or technically correct but expressive. The crudity of it in places reminds me a little of the work of (fellow Canadian artist) Jeff Lemire.

This book takes a look at love from many perspectives in its twenty-one set pieces. It’s 2018 and I shouldn’t have to say this but if you are the kind of person who has trouble with depictions of same-sex or non-traditional gendered relationships, then you need to just move along. But if your mind and heart are open, you will find the sweet melody alluded to in the title.

Maroh is also the author and artist of Blue is the Warmest Color, which I will definitely read in the near future.

Formats Available:  Graphic Novel

Review by Tony, Main Library

In Defense of Comics, pt. 5: Understanding Comics as a discussion tool

The biggest problem when discussing comics in an analytical way is determining just what they are. It is easier to talk about how they work than to come up with a solid definition, other than the old “I know a comic when I see it” one.  This is particularly true if you wish the definition to cover most (if not all) expressions of comics.

Understanding Comics by Scott McCloud, a classic work of the Comics Studies discipline, defined comics as:

“Juxtaposed pictoral and other images in deliberate sequence, intended to convey information and/or to produce an aesthetic response in the viewer.”

In one of the Graphic Novel Discussion Group‘s meetings, McCloud’s definition elicited respect on one level but was hard to defend in toto when combined with some of his other assertions. For instance, his general assertion that writing (the act of inscribing thought in physical space) is distinctly non-pictorial in nature seems hard to defend considering there is a whole species of design – graphic design – that considers writing as a pictorial element (a.k.a. typography). Even within the comics industry, the position of “letterer” has been a long established one and the style of each letterer is often a strong consideration for the development of a particular work’s look.

McCloud violates his own rejection of a single panel as comic (which is asserted on pages 20-21 of Understanding Comics) on page 98 in the third and fourth panels. Granted, he hedges in the next two panels by differentiating between captions and word balloons but I think that’s because the narration is supposed to be framing the picture rather than a part of the world of the picture.  However, it is the introduction of speech and that speech takes time to happen that creates the sequential effect according to McCloud.

His distinction that in-picture indication of sound introduces sound as a narrative element — and thus changes things — doesn’t seem to add up as traditional forms of comics are a species of visual art. How such a sound is conveyed is part of the storyteller’s visual style, most clearly seen in the crafting of sound effect (think of the shape of letters used when you are to hear lightning or a punch to the jaw). Speech or audible sound is still an aspect of the story supplied by the reader’s mind, prompted by the images on the page (be they words or sound effects).

[Cartoon by Bil Keane (copyright holder King Features Syndicate), Fair Use]

So with Family Circus, it is clear that the words are actually speech that takes place in the world of the comic. Really, Bil Keane‘s quotes below the panel are just him avoiding using a word bubble. Maybe this is for sound commercial reasons (designated space on the page), for reasons of composition (to preserve the close-up shot feeling of the panel), or simply for reasons of style.

Further, McCloud misses that there is essentially an unbound panel of text next to the panel with obvious borders that has a picture. (At least) two panels = sequence, no? Here the mind moves from one kind of visual element (pictures) to another (type) and creates a connection, right? This would also apply to the sixth panel on p. 98 (if you ignore that there is no “gutter” – or gap – between the picture and the box with text).

During the discussion, I personally foundered when trying to separate the art of comics from other arts that use sequential methods/techniques. It’s not that I can’t get behind the idea that they are all just parts of “Art” or human communication – a position vigorously defended by a particular participant – but it seems like that kind of flattens out what makes comics differ(ent). Because when I talk about Watchmen, for instance, I don’t think it would be germane to bring in references to the methods of dance or sculpture or broadcast radio.

Part of it to me is that comics are the product of a particular technology, printing. And, as Marshall McLuhan wrote, “the medium is the message.” (1964) Because comics are creatures of print, our eye works a certain way, time is controlled more by how we read than by some static rate of delivery (such as television or radio), and a certain set of senses (sight and touch) are more dominant than others (smell, taste, and hearing).

I was especially flummoxed when asked about animation. My instinct is to treat animated works differently than more realistic film, to include them directly with comics. But animation is film and any distinction there is really just my own (or a general cultural) bias. They work by static broadcast, by use of light that is projected rather than ambient, and incorporate sound directly rather than by visual approximation (sound effect words, sound motion lines, etc.).

And what you would call Building Stories by Chris Ware?  Is it an architectural comic?  A comic box set?  An elaborate game with intricate pictures? A piece of conceptual art?

These distinctions seem a little silly on the surface but they do matter for no other reason than that of marketing. Being able to determine what to call something often guides the producer towards a target audience (and vice versa). If Building Stories is a work of architecture then it will be sold to schools of architecture and design. If it is just a  comic then it will be sold at places where comics are sold. If it is a game then it will be sold at gaming shops. And if it is a work of conceptual art, there might be an installation at some fine art gallery.

But back to Understanding Comics and the discussion it engendered.  One of the participants in this discussion commented that he thought that McCloud was at his best when he was discussing the nuts and bolts of comic structure (e.g., explaining things such as conveyance of time via panels and the structuring of a story via panel placement) and also when explaining the artistic level of abstraction used to carry the story (e.g., highly detailed art for personal narratives versus pictographic expression for symbolic works). He thought that McCloud failed to really differentiate comics distinctly from visual art as a whole but that his presentation feels inspiring if one doesn’t dig too deeply, echoing an argument that Dylan Horrocks leveled at McCloud in his essay, “Inventing Comics.” (2001)

Horrocks feels that McCloud is writing more of a persuasion piece, which he deems a “polemic.” [As an aside, this feels like a mild misuse of the term as “polemic” tends to refer to a vigorous disputation of an argument rather than mounting a defense for – or presenting a supporting argument for – a position.] Further, that McCloud is trying to build a justification for comics as serious art, thereby uplifting the community of comic readers from their previous status as scruffy-looking nerf herders. Doing so comes by way of a definition (highlighted in red above) that excludes many other things that comics could be said to be without discussing why those exclusions make sense.

“Nation building,” as Horrocks calls this effort, seems kind of quaint nearly a quarter of century after the book’s first edition. In the intervening time, comics, comic nerds, and comic fans of all stripes have garnered the respect that McCloud was working towards. Comics are regular parts of academic studies and art galleries, and receive high-toned collections of previous works. Comic fans come from increasingly diverse backgrounds and feel no shame in hiding their passions. Comic industry insiders find that their work no longer traps them in the lower ends of the publishing industry.

And while I tend to like the basic idea, I also have felt the need to add a little meat to McCloud’s definition in this series of essays about comics by mentioning both cultural and historical factors that also have made comics what they are today. Even so, I feel like I am still very, very far off getting to just what makes a comic a comic. However, Understanding Comics did give our discussion a great starting place, and my sense of what is a comic was altered through that discussion. For that alone, I would recommend the book for anyone who wants to explore these questions.

Plus, it’s a fun read!


If you are interested in discussing these titles or other works of sequential art, please join LFPL’s Graphic Novel Discussion Group. Meetings are held at the Main Library on the second Monday of every month, starting at 6:00 PM.

At our next meeting (October 9th), we will be talking about Monster Comics!

The Fun Family by Benjamin Frisch

So-o-o-o, um, yeah…

…let’s just say that The Fun Family by Benjamin Frisch is anything but fun. I’m warning you now. It is probably one of the most messed up comics this side of the works of Daniel Clowes or Kaz. Don’t blame me if you have nightmares, especially after viewing the final page.

This graphic novel is an investigation, albeit phantasmagorical, into the spiritual despair of our current age of ever-mounting anxiety and nostalgia. The tale begins with cartoonist Robert Fun, Frisch’s stand in for Bil Keane, and his family having lighthearted fun at Thanksgiving time. Their holiday meal is interrupted by an automated message from the hospital that Robert’s mother has died. It is this terrible news that cracks apart the family’s facade of harmony and seeming perfection.

Marsha Fun, Robert’s wife and mother of their four children, is clearly unhappy with Robert’s work and his detatchment from the family, which only gets worse after Grandma’s funeral. Eventually, Marsha decides that she can no longer sit on her simmering disappointments and asks for a divorce. The children – Robby, Molly, Mikey, and J.T. – are left to cope with the turmoil in their own ways.

Granted, the adults in this work are clearly self-absorbed which is a fault that many readers will not be able to get past. In a work that initially models a perfect family, it’s fracture is bound to lead to finger-pointing. That the parents should have stepped up will stick in the reader’s craw, no doubt. I would argue, though, that this is one of the many points that Frisch is making along the way, that family dysfunction often occurs at the expense of children.

Despite the trauma, The Fun Family is completely worth the ride. The story clearly works as a deconstruction of that old comic strip chestnut, The Family Circus, and other kitschy Americana. Warning number two, here there be creepy porcelain dolls, Big Eye art, and angel painting!

But more importantly, the work examines – breezily – different spiritual approaches found in modern times. The first is represented by Molly, who sees (or thinks she sees) Grandma in angel form, finding solace and direction through communication with the spirit. The second is Martha’s kooky path of ever-shifting psychological self-investigation of the Human Potential Movement variety, combined with New Age elements. The third is Robert’s own retreat into self-expression as a means of organizing his life, first as the creator of the comic strip and later of sacred paintings. The final path is that of Robbie, the oldest child, who works as a replacement artist on his dad’s strip in order to recreate a childhood tableau in which he felt secure.

It is arguable – and strongly so by the story’s ending – that this final approach is deeply troubling and damaging as a project. Life continues to move on, people continue to change, and such moments in time were perhaps not as real as they may have seemed at the time. To dedicate one’s life to pursuits that strip mine the past, to succumb to unironic nostalgia, leaves one continuously chasing a dream that can never be realized. This way opens one to a constant sense of disappointment, even despair.

Formats Available:  Graphic Novel

Reviewed by Tony, Main Library


If you are interested in discussing this title or other works of sequential art, please join LFPL’s Graphic Novel Discussion Group.

Meetings are held at the Main Library on the second Monday of every month, starting at 6:00 PM.

Upcoming meetings will take place on the following dates:

  • Monday, June 12, 2017 – Wonder Woman

**Note: The live-action movie Wonder Woman will be released on June 2, 2017**
  • Monday, July 10, 2017 – Marvel’s Spider-Heroes

*Note: The live-action movie Spider-Man: Homecoming will be released on July 5, 2017*
  • Monday, August 14, 2017 – Warren Publishing

Top Picks: Graphic Novels of 2016

Well, time has rolled around again for my annual best of list.  This year, I’m going to go about it a little differently.  I’m choosing one selection from each of the 2016 meetings of the Graphic Novel Discussion Group.

The list is in chronological order by month rather than any ranking by preference.  I have included the topic we covered for that month as well.  There are some of the selections where I have only listed the stand-alone work or the series as a whole.

All right, let’s get to it…

Craziness, that’s all I’ve got to say!  If you like the tough-kid Borribles series (a major influence on writers like China Mieville) and the twisted narratives of David Lynch‘s movies then you will love this graphic novel by Farel Dalrymple.

 

This is an incredibly detailed 24 foot-long panoramic drawing by Joe Sacco that tries to capture the full events of just one day of battle in World War I. The set also includes a 16-page booklet to give viewers some historical context.

 

  • The Sandman series (by Neil Gaiman and J.H. Williams III) – Sandman Overture

sanmanoverture

Neil Gaiman finally returns to his award-winning, beloved Sandman series with a prologue tale that explains just how Morpheus was captured in the very first issue of the series.  The art by J.H. Williams III is gorgeous and appropriately psychedelic as befits the adventures of the Lord of Dreams across the galaxy as he attempts to right a wrong from long ago.

 

roadtocivilwar

This volume of the first Civil War series collects the prequels to the main tale.  In it we get to see how key players such as Doctor Strange, Mister Fantastic, Namor, Professor X, and Iron Man form the ultra-secretive Illuminati, as well as how Spider-man is drawn into the conflict between the forces of government control and those superheroes who wish to retain their autonomy.

 

  • May 2016: We did not have a meeting in May so I’m going to put up a comic that I read in 2016 and just loved, Gotham Academy!

gothacadem

Gotham Academy is a prestigious boarding school with a ton of secrets.  Mystery, magic, and the bonding of a special group of students make for a creepy thrill-ride.

 

Brian K. Vaughan and Marcos Martin have beautifully crafted a future where all our expectations about privacy have been turned upside down after a major event that shuts down the Internet for good.  In this world, our main character, a private investigator, and his femme fatale client break rule after rule in search of her missing sister.  Along the way they stumble into a conspiracy that threatens to shake the very foundations of this new social order.

 

Strangers in Paradise was the 13 year project of indie comic writer and artist, Terry Moore.  It was a complicated series of interlocking stories told in a realistic style with a dedicated fan-base addicted to the intensely personal quality of the main characters’ interaction. It mixed several sub-genres – romance, crime drama, and autobiography – while always feeling fresh and compelling.

 

  • Valiant Comics – Harbinger (by Joshua Dysart)harbingah

Honestly, I could have picked a few other titles such as The Death-Defying Doctor Mirage, Archer & Armstrong, or The Eternal Warrior as my favorite Valiant Entertainment selection but Harbinger is the title that originally attracted me to their line of comics.  It is the tale of Peter Stanchek and other teens like him who have psionic powers and are trying to escape Project Rising Spirit, who have been holding them prisoner and conducting experiments on them.  Joshua Dysart‘s pacing is tight and his dialogue is crisp, letting the reader get to know the characters while keeping thrills coming one right after the other.

 

A classic and a cornerstone of many introductory Comic Studies courses, Scott McCloud‘s Understanding Comics is more than just that.  It is also an entertaining comic in itself.

 

Mike Mignola has created one, excuse the pun, hell of a quintessentially quirky supernatural comic character with Hellboy.  This trade is a collection of the various one-offs and other ephemera about Hellboy that were published in other titles.  Also, there is a short story, King Vold, that was created especially for this particular compilation.

 

Well, what can I say?  Doctor Strange is one weird dude and so are most of his stories.  I honestly can’t pinpoint a particular one that I’d suggest because I tend to like him best when he is part of a team, be it The Defenders, the Illuminati, or as Dr. Doom’s sidekick in Jonathan Hickman‘s Secret Wars.

 

lrv1n24

This series is hard to quickly summarize because there have been three different creators, all brothers, with different visions who have participated across the 30+ years of its existence.  The primary two creators have been Jaime Hernandez, whose focus has been on the punk scene of a primarily Latino community in California (presumably East Los Angeles), and Gilbert Hernandez, who has spun out a rich set of stories about a mythical Latin American town called Palomar (and the immigrants in the U.S. who’ve hailed from there).

My personal favorite are the stories that focus around the characters Maggie and Hopey, also known about town as the Locas.  You can see them in action in the above now-iconic picture from Love & Rockets #24.

 


If you are interested in discussing these titles or other works of sequential art, please join LFPL’s Graphic Novel Discussion Group. Meetings are held at the Main Library on the second Monday of every month, starting at 6:00 PM.

Upcoming meetings will take place on the following dates:

dciomfeb2017

Formats Available:  Graphic Novel

Reviewed by Tony, Main Library